Keith Moul: Guilt By Implication

A man came to my door

claiming witness to atrocities

committed on my behalf, but

in places I had never been.

 

He said I was duty bound

as a citizen beneficiary–

whether on hillsides of poppies

bodies explode, or not–

to stand behind our rightful leaders.

 

He offered digital images for sale,

un-enhanced, if I preferred.

If I preferred, guilty charges

made first in ancient texts

illustrated by monks, could be had–

actually his biggest seller–all certified.

 

I sent him away.

I alerted friends to his scam.

But, I checked local news in case;

published articles did appear,

but made no local accusations.

In fact I inferred implicit guilt.

 

Amazed,

I could not disprove any atrocities

on any dates cited

by any surrogates

killing thousands in my name.

 

Confused, I went to the mountains.

Heavy snow fell, drew me in,

quietly deep. I shook, although relieved.

The National Geographic

reports deprivations in deep

snow abet atrocities.

Judy Shepps Battle: Waking Up In 2010

i

Past

images of vulnerability dance

naked eyes blink, shut out

ageless tormenter

held captive on stomach

a small child begs for help


big room no adults

sadist rages human victim

soul broken bones intact


held down sat upon

“I’ll tell Mom” you laugh

my cries unheard despair


When will he finish?


worse when he leaves

unwanted by anyone

even the tormenter.


ii

Today

gentle words embrace

compassion flows as

I face my younger self


Hi, you don’t know me but

I am you all grown up,

we survived.


Eyes wide you whisper

I knew one day you

would awaken.

Walter William Safar: The Shadow Of Death And Life

I

When the breeze[br] from the gentle side of town[br] strays off[br] into the poor parts of town,[br] it becomes scared,[br] blindly whirling down the street,[br] only to rush back out[br] to the gentle part,[br] to blow as much dust[br] into the eyes of the world,[br] as justice mostly does[br] into the eyes of the lay people…[br] or his honor, the judge,[br] as one of its most reliable[br] representatives.[br]

II

In that unpleasant repository of dust,[br] I am standing[br] and watching the city,[br] along which the echo of the poor[br] reverberates all around,[br] and the boy is silent…[br] the wind makes him even more so[br] – as if whispering to him[br] about his thousand years[br] of silence[br] and solitude.[br] In that dusky hour,[br] it scrutinizes all the world’s secrets[br] he knows,[br] in the secrets tied to the orphanage,[br] on which the night is falling[br] in the capital,[br] and the barren and locked-up homes[br] in the capital.[br] Maybe he’s thinking[br] of a poor, duped fellow,[br] a child of the same kind and faith,[br] who lived the same life[br] as he did[br] until his death.[br]

III

And death,[br] like a motherly shadow,[br] in a night gown,[br] is following the boy.[br] And since that moment, wherever he may go,[br] another shadow shall follow him,[br] equally faithful,[br] equally silent,[br] just like a shadow of death.[br] With an unspeakable dignity, that shadow[br] endures the motherly shadow of death.[br] That shadow[br] is showing twofold value:[br] without a doubt,[br] it is showing the value of the noble side,[br] which is to be served,[br] and the value of the chaste side,[br] which serves.[br] And then the shadow shall certainly say[br] to the human society:[br] “Now, in wintertime, without a coat,[br] and on such a cold day!”[br] My heart is so coldly beating[br] in my chest.[br] I am hungry.[br] Would you be so kind[br] as to give me a spoon[br] and feed me?”[br] And that society,[br] generally careful[br] to distribute all the spoons[br] claims[br] that there are no spoons left for him,[br] because he has been invisible[br] and branded with poverty since his birth,[br] and, as such, not interesting to the papers[br] and television,[br] and where there are no stages,[br] there are no spoons.[br]

IV

The night is gloomy,[br] and the insensitivity of the world[br] penetrates his bones,[br] like cold moisture[br] of a winter’s night.[br] It is a good night to die,[br] and it provides the statistician of death cases[br] with an extraordinary task.[br] Whatever…[br] the boy,[br] whom the world[br] never remembered by name,[br] but rather by his shadow,[br] feels very weak,[br] and death spreads its[br] dark dress,[br] receiving the boy[br] with so much sensibility,[br] as if it was his mother,[br] while the other shadow[br] disappears forever,[br] to the shame of human society.[br]  [br] © Walter William Safar[br]

WALTER WILLIAM SAFAR was born on August 6th 1958. He is the author of a number of a significant number of prose works and novels, including “Leaden fog”, “Chastity on sale”, “In the falmes of passion”, “The price of life”, “Above the clouds”, “The infernal circle”, “The scream”, “The negotiator”, “Queen Elizabeth II”, as well as a book of poems, titled “The angel and the demon”.

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