Holly Willis is a hybrid artist/theorist working primarily in film, video, and still photography. Her work often examines the materiality of the image within a broader context of new materialist philosophy and the histories of experimental film, video, and photography with the goal of designing encounters with media that spark an embodied sense of curiosity and wonder alongside critical reflection about our relationship with the matter around us.
Jim Ross jumped into creative pursuits in 2015 after a rewarding career in public health research. With a graduate degree from Howard University, in eight years, he’s published nonfiction, fiction, poetry, photography, hybrid, interviews, and plays in nearly 200 journals on five continents. Photo publications include Alchemy Spoon, Barnstorm, Bombay Gin, Burningword, Camas, Feral, Phoebe, Stoneboat, Stonecoast, and Whitefish. Text-based photo essays include Amsterdam Quarterly, Barren, DASH, Kestrel, Ilanot Review, Litro, NWW, Paperbark, Pilgrimage Magazine, Sweet, and Typehouse. He recently wrote/acted in a one-act play and appeared in a documentary limited series broadcast internationally. Jim and family split time between city and mountains.
Featuring:
Issue 113, published January 2025, features works of poetry, flash fiction, short nonfiction, and visual art by Linda K. Allison, Swetha Amit, Richard Atwood, Rose Mary Boehm, Daniel Brennan, Maia Brown-Jackson, Hyungjun Chin, Amanda Nicole Corbin, Kaviya Dhir, Jerome Gagnon, Jacqueline Goyette, Julien Griswold, Alexi Grojean, Ken Hines, Minseo Jung, Sastry Karra, Joy Kreves, E.P. Lande, Kristin Lueke, Robert Nisbet, Yeobin Park, Dian Parker, Roopa Menon, Ron Riekki, Esther Sadoff, Chris Scriven, Taegyoung Shon, Mary Thorson, John Walser, Julie Weiss, Stephen Curtis Wilson, and Jean Wolff.
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