A Catholic Wedding

When my cousin decided to marry a Catholic, my family was horrified. Her parents tried to talk her out of it, to no avail. The wedding was in a Catholic church, of course, and on the appointed day, family and friends made the trek from my hometown to Fargo for the ceremony.

We gathered in small, uncomfortable groups in front of the wood framed building. Most of us had never been in a Catholic church before. We didn’t know what to expect. We conversed gloomily, making small talk, boring each other to death as Lutherans will.

I recalled the stories I heard when I was a child about the arsenal of weapons that the Catholics had hidden away in the basement of their churches, preparing against an attack, perhaps, or possibly a coup d’etat. Even then I doubted that there was any truth to the rumor, but growing up, I was as wary of Catholics as the rest of my Scandinavian brethren.

Catholics prayed to the Virgin Mary, for goodness sakes! How could they put a mortal woman on an equal footing with Jesus and God?

We filed into the church, escorted by ushers resplendent in their tuxedos and took our seats in the pews on the left hand side of the center aisle. The audience proved to be about equally divided between Catholics and Protestants, the former on the right, the latter on the left. The bride’s entourage gawked at the candles and statuary and eyed the Catholics suspiciously.

It was cold in the room, I noted, and I recalled hearing that the Catholics didn’t heat their churches.

We were all right until the service began, but when the group on the groom’s side began to stand and sit again and sometimes kneel at unexpected and unpredictable moments, the huddled masses on the left side of the aisle were thrown into confusion. We stood when we should be sitting and sat when we were apparently supposed to stand. Up, down, up, down. For a time, the service became a comic opera.

There was one couple sitting up front on the bride’s side that seemed to know the routine. Catholics obviously. It occurred to me that if I watched those two, I would know what to do and when to do it. The stratagem worked like a charm.

The ceremony was mercifully brief. After the vows, the organ rose in its throaty chorus of joy, the bride and groom promenaded down the aisle, and a bevy of witnesses, some grinning, some tearful, escaped into the meager sunshine of a midwestern spring day.

We milled about on the lawn for a time before the happy couple got into their car and drove off to a chorus of shouts and catcalls from the well-wishers. The newly wedded were spending their honeymoon at Big Pine Lake.

Before they left, I kissed my cousin on the cheek and shook hands with her husband. The bridegroom was a big, red-faced young man. His head was the size and shape of a bowling ball. He had a hand like a ham. I wished them both good luck.

I stuck my hands in my pockets and wandered back to the church. My father and my uncle, the bride’s father, were standing by the steps. My uncle looked spiffy in his new Hart, Schafner, and Marx suit, but he had a stricken look on his face.

“Where did I go wrong?” he asked me. What could I say? That he should have given his approval? Knowing my cousin, she would have called off the wedding if he’d done that. I couldn’t think of anything to say that would make the poor man feel any better, so I didn’t say anything.

Food was served in the church basement a little later, and the company dug into the spareribs and chicken with gusto. There was jello, of course, and a bewildering assortment of home baked cookies, cakes, and pies.

On the way out, after the meal, my father’s friend Leland buttonholed me. Leland Foss was a real estate and insurance agent in my hometown. He was a fat, jovial fellow with a somewhat mixed standing in the community. He was a good Christian on Sunday, a pillar of the Lutheran church, but the rest of the week he was a businessman of the kind that gave widows and orphans nightmares. “Larceny Leland” was his nickname, although I never heard him called that in my father’s hearing.

Leland had just come out of the men’s room, and he bumped up against me and whispered into my ear. “Smells as bad in their can as it does in the one in our church,” he said. Leland clapped his hand on my shoulder and headed for the door, presumably to get some fresh air.

I don’t know if Leland thought of what he said as anything more than a joke, but to this day I consider it a profound observation.

Doug Tanoury (1)

The Ghost of Madame Cézanne

Madame Cézanne
Haunts my study
In ghostlike apparition
She appears
Again and again
With cheeks painted a bit too red
And makeup caked across her face

Each time I see her
I think she wears
The countenance of strife
The shades of sadness
She never speaks but
Sits silently in a chair
Posed in resentment

Her eyes angry openings
Her mouth closed and pouting
Her jaw clenched
A face hard
And humorless
She is a model of domestic troubles
Wearing a green hat

Anna Kournakova

She walks in shadows
Comes in darkness
Like a spirit
Her movements invisible and silent
Like the first weak breeze of spring
Nearly here and half not

She wears the sheerest gauze fabric
That is spun by the phantoms of my fantasies
Who work into the late hours of night
Like the tired and weary women
That labor for low wages
In Indonesian sweatshops

She wiggles into my bed whispering words
And touching me like a Muse
To awaken a Disneyland of desire
Were I hang stappadoed
From the highest ceiling beams
In her most malicious dreams

Bad Weather

Whenever I saw him
I felt the cold
A kind of deep chill
That passed through me
Numbing my insides
And the ice that formed
On the outer edges of my words
Was skin tingling
In the same way
His kisses were snowflakes
Melting on my cheeks

I would always wish him gone
Just as I would hope
For winter’s passing
And long for a trace of color
In the pencil sketch landscape
That is February
And now that he is
A season past
There is mildness in the air
And a stirring in the earth
Of things ready to grow

Wings

Touching her in darkness
My hands fly
Across her skin like winged things
Hovering for a moment
Then gliding in sweeping motions
That rise and dive to follow her form
Aerial in their grace
Ethereal in movement

And when they come to rest
Like a bird upon a perch
They are weightless
And she feels only a fluttering
A brush of feathers
Across her flesh
On a night
When touch became sight

Precipitation

In these early days of winter
When drizzle floats weightless
And hangs frozen in the air
The wind in my ears
Whispering doubt
The damp against my face
Frozen fear and
The smudged grayness of sky
Deepening suspicion
That storms recrimination in the loud percussion
Of hail hitting the awning
And the downpour of rain against the asphalt
As I stand unspeaking and exposed
In a muteness like snowfall that
Drifts peacefully in quiet whiteness

Her words frozen rain and falling hail
And me silent like a snowy night

by Doug Tanoury (c)2001
(dtanoury1 [at] home [dot] com)

Author’s note:
Doug Tanoury grew up in Detroit and still lives in the area. Doug is exclusively a poet of the Internet with the majority of his work never leaving electronic form. He is published widely across the World WideWeb.

The greatest influence on Doug and his work was the 7th grade poetry anthology used in Sister Debra’s English class: Reflections On A Gift Of Watermelon Pickle and Other Modern Verse, Stephen Dunning, Edward Lueders and Hugh Smith, (c)1966 by Scott Foresman & Company.

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