Phu Cat, Vietnam-1970

Explosions varumpf
across red clay valley,
tongue-fucking my ears.
Micro jet loops,
carves new hole
in earth’s shoulders.
Sound delayed by distance,
sight not far enough.
Monsoon rains death,
but cannot cleanse.
Addictions birthed here,
reunions in hell gather here.
Heroin high,
never been lower.
Mama san knows,
gums betel nut;
red mouth, no teeth.
Smirking,
we will all go,
one way or another.
I fly away, never leave.

Phu Cat, Vietnam-1970 first appeared in [i]Coil magazine[/i].

Exile In Room 101

Life has had its way with me.
I am exiled,
to a chair in this hotel room,
counting lines in wallpaper.
Lines so straight, sharp
you could shave with them.
Imprisoned with me;
vertical cellmates.

My life revolves around me,
gliding along walls.
Resignation
brings retreat,
refuge,
in the written word.
I rise above,
free from form,
look down quiet,
velvet halls
leading to a lobby
full of strangers,
checking out,
resuming lives
I have not lived.

Exile in Room 101 first appeared in [i]Coil Magazine[/i].

horse dying in the here and now

ahh christ

the horse bleeds like
something you almost
remember

stumbles away from the teeth
towards the light
and by the time you arrive
it’s all over

the throat vanished
the flies beginning to gather
the song all but
forgotten

the carnage rises up

swarms against your eyes like
one of your father’s stories
from viet nam

like your mother or
even better
your sister

how many years ago?

four at least
maybe five

left arm broken
two teeth gone and still
she wouldn’t call
the police

said she loved him

said she loved
the next one too and
the one after that and
the bruises were clouds in
an autumn sky

the sky was
a pack of dogs circling
the sun

was something you
never managed to forget
and then this horse dying
in the here and now and
all you can do is
watch

all you can do is wait

your life up to this point
the small frightened
dream you always
knew it would
be

the poet takes his place in the actual world

fuck this idea of
poetry reaching back to
embrace the past

i will not worship
the martyred or the immortal

it’s enough to be stuck in
this town of defeated old men
as they shuffle aimlessly
up and down anonymous streets

it’s enough to watch the
factories burn

and i have driven in every direction
and i have seen nothing but
more of the same
and i am only waiting for the news
that reagan is dead

i am only waiting to hear
from a friend
who hasn’t written in a decade
that all is forgiven

and i have a job that will never be
anything worth describing
and i have a son who will someday
want nothing more than to
escape his father

what i give you hear is a
pale blue november sky bleached to white at the edges

the drone of a plane and the
sound of wind through bare trees
and there is a house of
delicate bones in this picture
that i call my home

there is a river that holds
the body of
a fifteen year-old boy

it doesn’t bother me that i’ve
outlived him
but maybe it should

SHILOAH MATIC

[b]Ruminations over morning tea[/b]

Maybe it’s time to start again
and reinvent myself
in warmer weather wearing wool
only when winter thoughts
plague me at night
as I miss the morning snow
and white Christmases I used to know
and white pages of books printed on good paper
not newsprint, brown and rough as I turn pages
of my days
to see what comes after
the heroine decides

that maybe it’s time to start again
and reinvent herself
on other shelves
turn her life from drama/mystery
into bestselling comedy
erasing all the misery
of missing midnight cups of tea
with people giving sympathy
like crumbs to park pond ducks
like candy to a crying child
like coins to a weeping fountain
that one day thinks

maybe it’s time to start again
and reinvent myself
as water in a bedside glass
or rain that falls on suburban grass
or holy water blessing multitudes at mass
and so the repentant prodigal child
comes home
to start again and reinvent herself
as fatted calf.

[b]They spoke about a sunrise[/b]

If you could, would you,
he asked at the crossroads
of Cross Street and High.
She smiled with eyes
that didn’t answer his question
or give reason why she should.
Listen, he said,
close your impenetrable eyes
and I’ll ask you again.
Could you, if I would–
she stopped him there,
I don’t know if I should.
Let’s walk awhile
a mile, maybe two
down to where the sky roses
grow, says he.
Maybe, and she stepped
lightly on his toes
with a teasing smile.
And the shadows held hands
and left empty spaces
where they would have stood.

[b]When the doorbell didn’t ring as promised[/b]

You left me hanging
by the rope
woven from the ever-tightening,
lengthening list
of ways the world doesn’t look
like the fingerpainted fiction
I foolishly fashioned as a child.

You left me holding
on to what I thought were wishes
blown from birthday candles
that turned out to be the smoke
that chokes me,
black like the scarf I wear
in memorium
as I bury you every day
(yet you rise up, always, won’t you stop).

You filled me with
the tears that every poem is made of.
In the hole left from your absences
I will drown,
I will drown.

by Shiloah Matic � 2002
([email]smatic [at] wesleyan [dot] edu[/email])

[b]Author’s Note:[/b]
Shiloah currently has poetry published online at gerationrice.com and has contributed to the December issue of Soapbox Girls, a webzine for women.

RICHARD JORDAN

[b]Therapy and Dreams[/b]

I pay a therapist $90 an hour
to say Aaawww… Which is what
I want to hear. And she’s awfully
cute with her little pout and pucker.
So, you see, it’s entirely symbiotic.
The problem with me, she surmises,
is that I’m afraid to get in touch
with my inner child.
She may have something there.

For I have this recurring dream
of a beautiful blonde vixen in pigtails,
hiding Turkish Taffy under a Mickey Mouse
tank top. It’s always hot and humid in my dreams,
so gooey globs stick to her nipples
as she pulls out the candy
and offers me a bite or two.
But its only a dream!, I yell,
as I run frantically for cover
in the nearby bushes,
being but a young boy,
lacking pubic hair,
and frightened of cavities.

In the bushes, I am greeted
by a giant hedgehog, who licks
and licks the clothes
clear from my body, except for my socks,
which are not very tasty, apparently.
And just when I’m getting accustomed
to saliva and spines, the feisty critter
turns into God and fries
the taffy temptress with
a crooked bolt of lightning.
Then he turns to me and proclaims
with booming voice (because he’s God):
My son, where I come from,
$90 an hour is rather steep.
I know a lovely lady
who can set you straight
in three easy installments
of a mere $19.99,
but you must act fast.
At that, he vanishes with a poof,
leaving behind, as proof of his existence,
a stack of glossy business cards
and a few gray whiskers.

For some reason, that’s the point
at which I invariably wake up
and check my pulse, which
is the pulse of a middle-aged man
with a wife who lives 500 miles away,
two mortgages, a boss with perpetual
sardine breath, a cat who misses
the litter box, and a therapist
who’s writing a Masters Thesis
on dreams and hallucinosis.

[b]Recess[/b]

If only he hadn’t kicked the class bully
in the nuts during lunch. But it was either that
or snorting lime Jell-O and tomato sauce
through a dirty straw in front
of the entire Glee Club.

Let the rest of them dodge that wacky red ball.
Let them choke on dust clouds and Gummi Bears.
There’s something to be said
for lying face down in a dumpster
atop a stack of Playboy centerfolds.

[b]The Poet Inspects Precision Engineering[/b]

It was a lovely morning.
The birds outside were chipper,
my bowels were fine, and I was
about to do something very important,
or at least somewhat creative, until
I unscrewed my precision engineered
mechanical pencil to inspect the ultrafine
graphite and the crafty
Japanese workmanship.

Engineers are so darn fastidious.
Their toaster ovens are shiny
and crumbless. Their microwaves glisten
inside and out. They sweep
the sinewy brown strands
and toe jam from the space between
the foot of the bed
and the polished antique chest,
which is packed optimally with potpourri.
flannel nighties, and a spare set
of metric Allen wrenches.

I, by contrast, do my best
to avoid mysterious, dark crevices.
At night, I wrap my arms tightly
around my wife’s waist to keep
from falling off the end
of the bed into the creepiness.
When my wife is away, I sleep
on the decaying couch in my study,
and imagine that the old, creaking
mechanisms are happy crickets
procreating under a winking moon.

I also eat fat bacon and fried eggs
on buttered rolls, chain-smoke
unfiltered Camels, and laze
in front of the TV all day watching
re-runs of 70’s sitcoms and telethons.
But all that is another story.

Note to myself:
Buy a fountain pen.

[b]Whatever Happened?[/b]

Whatever happened to that crazy old bugger?
You know, the guy who wore a filthy wool
cap all summer long? He had torn, greasy trousers,
and his shirt was held together with safety pins.

One time, I gave him a few cigarettes,
three, I think, and he patted me on the butt
and whispered in my ear, somewhat accusingly,
“Rasputin only eats raw lamb,
and sometimes boiled carrots”.

Last time I saw him, he was fishing
for bicycle tires in the Potomac River.
I was jogging by, and he adjusted his crotch
in my general direction
while giving me the one finger salute.

I suppose now that it’s cold,
he’s living in a shelter downtown,
passing out soap and handkerchiefs
to all the bag ladies who stop by for biscuits,
gravy, and some good, old-fashioned groping.

Every now and then, he stares out
a cracked, dirty window on the third floor
and snorts at the pathetic gnome-like
creatures on the sidewalk below,
randomly bumping into one another
on the way to Hell.

[b]A Poem Written After an Evening of Reading Darwin And the Scriptures, In That Order[/b]

The master magician waved his wand,
And I tumbled from a long, black sleeve,
An ornery five-legged dragon, coughing
Up flames and charred feathers. With a sneeze,
He turned me into a rabid rodent,
Sending his accomplice into a panic,
As she lifted her skirt, and danced a jig
Across the stage. Next, he snapped
His fingers, transforming me into a troll,
Complete with oily facial blemishes
And patches of dark fur in mysterious,
Yet sensible places. And this is how
I shall remain, having sawed my creator
In two, after poking him with a blunt,
Shiny sword, whilst devouring his
bony, but delicious assistant.
But there’s no reason for alarm.
They didn’t feel a thing.
And the only blood spilled
Was my own.

by Richard Jordan (c) 2001
([email]sdjordan1 [at] juno [dot] com[/email])

[b]Author’s Note:[/b] Richard Jordan is a PhD mathematician and also a poet. He currently resides in Virginia, where by day, he works on the mathematical modeling and analysis of the spread of infectious diseases, and by night, he tries his best not to contract any such diseases.

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