Jerry O’Bannion

Jack Kerouac Dreamed of the Dharma

Jack Kerouac dreamed of the

Dharma,

All doubledy-clutched,

And rolling

At about a hundred and

Ten miles

Per hour,

You unnerstand,

In a nineteen forty-seven Dodge coupe;

All the way across the vastness of the

Great Plains

And up the Ohio Valley

It would come roaring into Manhatten

Like a

Drunken Denver cowboy,

With his wages burning a hole in his pocket;

But the Interstates left

The Dharma stranded like

An ancient alcoholic

Hitchhiker

In a small room

At the Wagon Wheel Motel

Near

Cuba, Missouri

On what used to be Route 66.

Aw, Jack Kerouac is dead, anyway

And the Dharma never really

Caught on

With the American public

so maybe its just as well.

That he failed to beat

Those particular odds;

Sometimes

Death is enough.

 

On Drinking Alone

If God is ever present

Then no one drinks alone.

I’m not sure if that’s a comfort

Or a cause for alarm.

I guess I’ll leave the theological

Ramifications to the experts.

Cheers,

Lord

 

jerry o’bannion

 

Jerry is a retired Engliah teacher who continues to write poems against his better judgement.

White Coffin

I made spaghetti for supper.

A bad day, you said. You needed a soak.

Your last words

as you breezed past me.

Moments later the bathtub faucet came on

an army of water pouring out

marching through your windpipe

and seizing your soul.

 

With a shaky hand, I twisted the doorknob.

You, in your work suit

overturned in the overflowing mess,

and I dropped to my knees

and shrieked like a dying hawk.

 

A week after, I stand to face the bathroom mirror,

glaringly memorizing my pale complexion.

Flicking away the tears

Rolling

down my raw red cheeks.

I touch the limp strands of hair

clinging to my face like refrigerator magnets.

Vodka oozing from my skin,

the soles of my feet black as the coffin they buried you in.

With a jagged fingernail, I scrape

the dirt from my face leaving a trail of pink skin beneath the scum.

I want to scour the dead cell layers,

the grease, the grime.

But you died in that white coffin.

 

I walk around to the backyard and twist the hose faucet

until icy water spews from the metal mouth

down my frail legs and back.

Goosebumps rise over my body and I gasp

from the shock of cold, the icy hands,

stinging my back

taking my breath away.

 

Annie McCormick

 

Annie holds a Bachelors degree in Creative Writing with a specialization in Poetry from Ohio University.

Sarah Marchant

2:41 AM

We sat in a sun-stained booth

nibbling at lo mein noodles, and I

swallowed whatever ridiculous thoughts I could’ve spewed

to cure the disease that is vibrating silence –

 

like the story behind

the invention of doughnuts;

for some reason, that struck me

as something so significant that I felt

I had to tell you, had to bring it up,

but I never got the chance.

 

Squirming in the passenger seat,

I adjusted my position, crossing my legs and

staring at the sky for dear life;

 

my skinny fingers gripped the seat tightly,

imagining the windshield disintegrating

to mingle with that bleak, lonely-heart hue –

 

give a kiss and reassure

that you were being honest.

 

French manicures, eye paint,

and luxuriating in small talk over

chocolate delights

led into the moment when I noticed

my stomach pressing against my ribs

and I breathed ever harder,

staring out the blurred window –

 

it was so hard to concentrate

on distant train whistles and clutching my peace of mind

when I felt as though I could burst

into every piece I didn’t want you to see.

 

Driving home in the gray,

we were even less open than before;

 

your sleepless eyes focused ahead,

a tilted-head songbird

dispersing notes, stabbing the quiet

with self-isolating precision.

 

Clasped Tightly

the moon swam in

sticky shadows, tar ghosts

shivering against our backs,

and I tapped my fingers in

river rhythms to remind

your pulse of its

purpose.

 

High School

The tiles of the floor encase me

in scuffed beiges and pencil

smudges; pity there aren’t

cheat sheets for life tucked

in-between the cracks. All that

I can see are quadratic equations

and love notes in looping cursive,

telling me that this place is

no longer where I want to be.

 

April 2, 2009

We sat in the dark,

munching on popcorn on napkins

(with more kernels than not),

dark soda fizzing in

red plastic cups,

and Charlie Chaplin

blown out of an Alaskan cabin

on the television.

 

Sarah Marchant

Miles Liss

Disturbed

They say I am mildly disturbed

I stay awake at night, have paranoid visions

Have no girlfriend, nothing

I scratch my head for no apparent reason

I talk to myself and laugh in mid-sentence

They say I am mildly disturbed

Like blue detergent flushing

Down a toilet bowl

I am not mildly disturbed

But I feel like a prisoner in concrete walls

I wish I had a friend I could talk to

I think that would make a difference

I wish I lived in a community

That was concerned about my welfare

A farm or something, and we could work together

And I don’t like carrying guns anymore

And I don’t even like rock n’ roll anymore

I have permanently turned off my television

Because I’m convinced it’s giving me cancer

I don’t really like machines that run on

Electricity, gasoline or other resources

Except my coffeemaker, I am a coffee addict

It’s getting out of control

If I was having sex every night

I would stop drinking coffee

Attention ladies, I like most of you

I would like to have a relationship with you

You can be the dictator every once in awhile

Let’s reproduce in the name of the anti-corporate regime

Let’s never make love in public places

Let’s burn all the porno houses down

And blow up every satellite dish

Together, we can put an end to sodomy

 

I Love You

My grandmother said, “I love you” on the phone

Every time we talked

After she was diagnosed with dementia

More times than I can count

More than any lover

More than any friend

She wanted those words to linger

Long after memory was erased

 

These days my grandmother

Doesn’t know who I am

She stares at me

As though I’m a stranger

Come to ransack the place

 

As a child, I imagined this world

As my permanent home

I had no idea we could

Travel to other places

Even disappear

Even while alive

 

I just want to say, “Thank you,” Grandma

My gratitude is immeasurable

For the comforts you provided

Just by smiling

I miss you so much it hurts

 

Miles Liss

Mauve Finery

The lace was frayed at the edges

worn and old – yellow like the

books you were so very fond of

 

You had rubbed at the needlework,

running your fingers across the

embroidered lilies; your hands—

clammy and cold, had pinched

those petals; plucking them as if

they had been Real

 

I had mended your garden,

each time you came to me;

red faced, puffy cheeked,

tearful over the mess that

You had made, yet telling

Me to fix it – please

 

My eyes can no longer hold

the needle, thin and silver,

which you had watched –

enamored, as it swam

between the eyelets

 

I am too old, too liver spotted,

too wrinkled and grey –

and you, you’ve grown too

big, for the false flowers I had

sewn so long ago; You, the garden,

are Gone

 

Alice Linn

Suzanne Lane

Transcendental Love

Apparently, our love

has been reading Emerson

and believes it is self-reliant.

 

We, who have been part and particle

of each other, daily, nightly,

minutely merging (your hair covering

my skin, my tongue speaking your thoughts,

your oversoul in my underwear,

my hammer on your anvil and your foot

in my stirrup), now sit rooms apart

and prefer not to

 

Will you assume

what I assume

as I celebrate myself and sing myself?

Do your atoms, belonging equally to me

as mine to you, resonate with the same frequency?

 

Or does your heart vibrate to that iron string—

trusting yourself, exploring the sacredness

of your own mind, your own body?

 

If we must each triumph in our own

principles, can we not yet hope

that Whim will lead us each

through each

other, that the

currents of the Universal

being will circulate your Not Me

through the not me

of my own body,

once more?

 

The Empty Set

I am still only conjecturing that

spending the night with you last night is what

did not happen, out of the set of all potential

events that did not happen between us all

night. But the graph seemed to me to lead to

your bed (which, as you recall, was just two

feet away, with the blankets thrown back).

Yet our evening was a demonstration of Zeno’s

Paradox—we could not cross the distance

to the bed because we forever had first

to cross half the distance.

 

When I think about that missed intersection,

I think about plotting the slopes of our lives, the route

we each took to meet in that room, and how

any previous meeting would have already

been too late for us to reach that bed;

how we would have needed to have exactly

our same experiences leading to this

precise moment together, but without

ever having passed through those other points

on the graph, that intersected with those other husbands

and wives and children. Those trajectories

are defined by the impossible—they are mapped

in imaginary space only, when we subtract

our families from our lives and take the square

root of our resulting negative selves.

 

Other people, I think, can compute this, but

it was a math too radical for me.

 

Suzanne Lane

 

Suzanne began as a fiction writer many years ago, but for short forms, she has been increasingly drawn to poetry. In addition to writing poetry, she is also writing a mixed-genre memoir, All over the Map, about my experiences growing up as a military dependent, and an academic book about the rhetoric of antebellum slave narratives. Suzanne has taught literature, creative writing, and composition at Harvard, Cal State, San Bernardino, and BU. She currently teaches rhetoric and writing at MIT.

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