The Western Hemisphere

The Western Hemisphere is asleep

with one great eye cocked open

 

fastened to the burning stars that used

to guide women and men to their future

 

and at first glance one may mistake

it for dead and not be far wrong

 

the body collapsed in front of a barren

library huddled under incalculable layers

 

of coarse blankets and buffalo hides, with

one prehistoric hand trust bravely forth

 

clutching an ash stick that looks more

suited for fertility rituals than walking

 

a cigar burns incongruously out the

side of the fertile mouth with lips

 

that bloom like wild mustard through concrete

and just to the north the obscene mustache

 

cured by the smoke and in danger of

catching fire itself or disappearing

 

and the beard, a dangerous whirl of knotted

wool and shadows is littered with objects

 

gathered off the street, flecks of leaves

and black earth, dried and brittle remains

 

of lottery tickets, chards of shell and bone

pages torn ruefully from literary magazines

 

some still smoldering as if recently issued

from a smoke stack, and if you look deeper

 

an underground canopy teeming with dark

insectile faces, a cosmos of imaginary life

 

and death, ten thousand years of tearful

wondering, bald eagle feathers, discarded

 

rattlesnake skins petrified by the vacuous

terror and loneliness in the one good eye.

 

by Stephen Moore

 

Steve Moore formally studied theoretical physics and abstract mathematics but now has no time for such nonsense. Since college, he has wandered restlessly about North America and Europe, and has lived in such disreputable places as Liverpool, England; Carrboro, North Carolina and most recently Carrollton, Georgia where he currently resides with his family. He is a now full-time student of urban planning and father of two precocious kids. His free time is spent working on his poetry, short fiction and long unfinished novel. His poem, ‘Love in the Time of Vinyl Siding’ was recently published in the 2013 edition of Eclectic, the Arts and Literary Magazine of the University of West Georgia. His short story, ‘Incident at Oscuro’, appeared in The Fabulist’s 2010 anthology, and his poem, ‘The Bride’, was one of the winning entries in the 2009 Cardiff Academy International Poetry Contest.

 

A Foot in the Grave

It felt like I was somewhere I wasn’t supposed to be, like I’d walked into a house that looked like mine, but belonged to someone else. She found me in the kitchen drinking a glass of water. Her eyes welled up and shone bright with what would soon form tears. I was in the right house, but at ten in the morning, I should’ve been somewhere else.

 

“Don’t cry,” I said.

 

“How much do we have?” She always cut to what mattered most, and in that minute, what mattered most was money. She didn’t care how I lost my job, she only cared that in that moment, I didn’t have one.

 

“We’ve got enough. Don’t worry, I’ll find something.” I didn’t know how long it would take and we both knew my words were empty, but I said them anyway.

 

“And then?” Her voice rose; she was angry, but not at me.

 

“And then I’ll find something,” I said, letting my tone match hers. “Where are the kids?”

 

She pointed toward the back yard.

 

I walked to the window, frosted with ice. Through a clear patch, I envied the innocence on the other side. “Where’s the camera?” I asked. “I want to save this.”

 

“We sold it. The last time.”

 

About a month later, I was working again and with my first check, I bought another camera. Nothing fancy, just something that  saved scenes worth saving because some things are more important to save than money.

 

 

by Foster Trecost

 

Foster Trecost is from New Orleans, but he lives in Germany. His stories have appeared in Elimae, Corium and Metazen, among other places.

Brett Stout

This Door was locked by David Berkowitz

 

The pig tooth hangs from a vintage nail

the scissors cut and paste Tempe, Arizona

job for a cubicle cowboy

makes one detestable,

 

numbers never dialed

written on stained Post-It notes

she called me an asshole

and I call her dead

no cigarettes

plenty of blue pills

sweep the memories

under the bed

the sand warps under midnight pressure

unpaid bills

by the

people under the stairs

stare at a spider

watch a meteorite shower at 5 a.m.

don’t have a drink

you can’t afford it

go anyways

charge it

pay later

who fucking cares

do I have anything to live for anymore…

while contemplating,

 

I can’t answer that dad,

 

I can’t answer that mom,

 

I can’t answer that stranger in the gas station.

 

 

Me and the Darkness and 40oz’s of Freedom

 

I was walking home drunk down Moreland Avenue around five in the morning. I didn’t have any money for a cab and I had no one to call. I heard footsteps behind me for quite a while and looked back occasionally and saw someone walking behind me. I finally got paranoid enough that when I saw a small brick wall next to the sidewalk I was walking down I casually sat down and lit a cigarette hoping that the person behind me would walk past me and leave me the hell alone so I could walk in drunken inspired peace. An older black man approached me as I sat there on the small brick wall. He asked me how I was doing. I said “pretty good, but this fucking walk is killing me.” He didn’t say anything and just reached into his jacket and pulled out a scratched and faded gold wristwatch. He asked if I would give him five bucks for it. I said “what the fuck” and reached into my pants and pulled out a crisp five dollar bill and handed it to him. He said “hell yeah buddy, now I can get a drink” He handed me the watch and I put the scratched and faded gold watch on my right hand and finished stumbling home. I noticed the next day that it didn’t even work and it smelled funny.

 

 

Clean Bugs, Dirty Carpet

 

Me and the wife were sitting around the living room after we finished our TV dinners. It was the usual Hungry Man roast beef with mashed potatoes and corn with a brownie for desert. The wife was flipping through endless channels when she stopped upon the local cable access channel. They were flashing pictures of recent guys arrested for soliciting prostitutes in the county, trying to embarrass them or some shit. I had a mouth full of a potatoes and corn when I saw my drunken mug shot from last week flash across the TV screen.

 

Brett Stout is a 33-year-old writer and artist. He is a high school dropout and former construction worker turned college graduate and Paramedic. He writes while mainly hung-over on white lined paper in a small cramped apartment in Myrtle Beach, SC. He published his first novel of prose and poetry entitled “Lab Rat Manifesto” in 2007.

Boiled Coffee And Canned Meat

I drive a car

of irreplaceable parts

going south.

I crawl out of town at night,

a girl with a limp on my arm,

not knowing which belt

or hose is cracked,

leaking like a fistful

of fluids.

 

The headlights reach down

where the pavement

is supposed to be.

I have a feel for the tires

as they pitch

into the shoulder.

Then slowly guide them out and away

from the deeper ditch below,

hot with toxic runoff.

 

If a computer can get a virus,

then my car has asthma.

It gets winded at stoplights

like a chain smoker

who just finished sprinting uphill

to the hospital.

 

There is nothing my car needs

that isn’t lying

out somewhere on the dark road ahead,

at a gas station or rest stop

filled up with strangers like us.

We live one mile at a time

on boiled coffee and canned meat,

nursing overheated engine blocks

to speed our planned obsolescence.

 

by Greg Jensen 

 

 

Greg Jensen has worked with homeless adults living with mental illness and addiction problems for the past seventeen years. In addition to being a poet, he is a dad, husband, and avid bicyclist who works on the Seattle’s original Skid Road.

 

Mattias Renberg poems

Involution

 

In the early mornings

when the world sleeps

we stretch the thin membrane

hiding our sneering beast

from a world of ironed shirts.

 

Territorial claims at the bus stop.

An unaware prey (still sleeping),

is awoken by a hyenas’ mad stare.

 

The bus driver, half pig,

greets all and no one with grunts.

He is on schedule but actually never left the station.

 

The metro is buzzing: 

everyone is collecting nectar

for the sacred weekends.

And when the grasshoppers awake

later in the day,

Ironed shirts rule once more.

Only the occasional ragged dogs

rummage through the garbage

in search after some spilled honey. 

  

 

 

The Invisible Hand

 

Move along and continue to consume.

There´re still people over there to impress.

Never mind the elephant in the room.

 

New cars, jewelry, champagne and perfume –

Adopt the lifestyle and scent of success.

Move along and continue to consume.

 

There is no dusty scheme to exhume.

The wheels must turn to create progress.

Never mind the elephant in the room.

 

Dampen angst, down to a moan, and resume

The search for solace with food in excess.

Move along and continue to consume.

 

Limping charts and numbers reeking of gloom.

Suppress, forget and invent things to possess.

Never mind the elephant in the room.

 

There’s a dead emperor and no costume.

Calm down people, there´s no need for distress.

Move along and continue to consume.

Never mind the elephant in the room.

 

 

Mattias Renberg lives in Stockholm, Sweden. He has studied creative writing in both English and Swedish. He has previously been published in Over Yonder, an anthology by Rofous Press.