Less Shiny

i was born a year and a half after he died
a little baby boy allotted eight hours of fresh breath
a slap in the face to my mother who carried him for nine months
who would’ve given up a lifetime of breaths
to save his

they say i am made of stardust
particles from the universe, the very matter
from a now dead star forms my raggedy bones
that i carry around
and berate
and criticize
and abuse

my grandmother left her house
knowing she’d turn black and blue
when her mom found out that she crawled out the window
to give my grandfather one last kiss
before he left for the war

when i was two i jumped into a pool of water
at a party for grown ups when people were laughing
and not watching the now disturbed cold water
and some man jumped in that didn’t know me
in all of his clothes
saved my life

and it’s interesting, so interesting
to think of the boy – what’s his name?
who left me in the dark during that tough time
and how i thought my life no longer mattered
because when you think of the stardust,
the baby, the swimming pool,
my grandmother, the war,
the boy seems a bit less shiny,
don’t you think?

Monica Simon

Monica Noelle Simon is a poet, writer and marketing professional from Scranton, Pa. She is the creator of Poets of NEPA. Her writing has been published on Elite Daily, Poets of NEPA, and HelloGiggles.

Lifeless

I found myself at deaths door.  Looking up at the reflection of the stars that mirrored an image of what I once thought was my life. It seemed that violence followed me, or was it that I have been chasing it all along. Maybe the fact is that I enjoyed its company. It was my way of escape into the dark realms of the other side of me. But I was trapped and I wanted to get out. How is it that I fought with everything inside of me but nothing was good enough? I became helpless, hopeless, and distraught.

I was on a path of destruction and damage consumed me. Every part of me. And nobody was here to save me. I laid at the bottom of the river with eyes wide open watching the world pass me by. Surrounded by unfamiliar faces in unfamiliar places.

A part of me could still smile, though this was extremely faint. Is this smile a reminder of life that still lives within me, or is this insanity?

I cried out for help, and no one came, no one heard, and no one could see. Everyone around me lacked the capacity to relate to my situation.  Or, maybe no one gave a damn.

I laid there completely lifeless. Tears filled the air bubbles that offered hope, a second chance, a comforter, a hand. One to reach out into the water and grab me. That’s all I wanted. One hand.

Paralyzed with fear and bound to the part of me that I, myself could not understand.

I needed pulled out!

The water from the river quickly consumed the spaces in my lungs reserved for air. All my sorrows, pains, and hurt left me as I slowly and dreadfully suffocated. It was at that moment that I felt free. I no longer suffered from the infirmary.

I laid there eyes wide open at the bottom of the river.

Latorra Killebrew

 

Latorra Killebrew is a new and aspiring writer. She enjoys composing free verse narrative poems along with free verse shorter poems.

 

Fission

You grow a beard, check the mirror,

notice you are forty years old, the next

morning, you shave it off, find you are

 

sixty. But life is like that, suddenly

everyone you know is dying and they

still visit with your back turned to them.

 

One day, you took the school bus

and you earned a gold star for answering

the last question right. Now, the nurses

 

on night duty ask you something which

you can’t open your mouth and respond to.

All you know is that someone switched

 

off the light and you don’t know how.

 

Lisa Zou

Lisa Zou is a student in Arizona. Her writing has been recognized by The Poetry Society of UK and the National YoungArts Foundation. Her work has been published by the Sierra Nevada Review.

Let the Bombs Fall

Let the bombs fall
Let the princes seize power
I’m too tired to stop them
I’m too weary to care
I’ve eliminated evolution from my own ambitions
It’s a bad day
When you can no longer dance
To your own tune
For sophistication has suffocated in the ashes of the banal
And trepidation has triumphed
When we were up against the big dogs
And charity lacked the right tone to spur us
To stand up and be counted down
Since all that was needed was the compliance of good people
For the slaughter of countless millions
Because we’d forgotten the math
In our assumption that truth will out
And our shelving of responsibility
When the cutlass is drawn and barbarians
Are through the gates
Hacking at your ankles
With the merciless stupidity of impatient humans

 

Josef Krebs

Josef Krebs’ poetry appears in Burningword Literary Journal, Agenda, Bicycle Review, Calliope, Mouse Tales Press, The Corner Club Press, The FictionWeek Literary Review, and Crack the Spine. A short story has been published by blazeVOX and a chapbook of his poems will be published soon by Etched Press. He’s written three novels, five screenplays, and a book of poetry. His film was successfully screened at Santa Cruz and Short Film Corner of Cannes film festivals. The past seven years he’s been working as a freelance writer for Sound&Vision magazine having previously worked at the magazine for 15 years as a staff writer and editor.

Lindsay McLeod

Swing

 

Spilt and splashed down

here in the low life,

wild electric blue

blanketed eyes,

ham cameo role on

the gallows pole,

wrapped up whole

in the scarf of the sky,

open closet of bones

sounds a wind chime,

while a barbed wire

snare smokes a lung,

watch me dance on

hair trigger corrections,

plunge from life’s

unsolicited tongue.

 

 

PLATEAU

 

Given the high percentage

of supernatural compression

during the inception of a

catalytic chemical relationship,

why do we act so surprised when

the alcohol makes us hungover,

the cigarettes make us wheeze

and the chocolate makes us fat?

 

Why do we act so surprised when

the froth and fizz subsides and

reality staggers through the door

out of breath, plonks on the bed

kicks off its smelly old work

boots and gasps, ‘Christ, this

fucking Honeymoon is killing me!’

 

Lindsay McLeod

Lindsay McLeod trips over the horizon every morning. He has won several prizes and awards and stuff for poetry and short fiction and published his first co-authored poetry collection, My Almost Heart, in 2015. He currently writes on the sandy Southern edge of the world, where he watches the sea and the sky wrestle for supremacy at his letterbox. He prefers to support the underdog. It is presently an each way bet.