Thursday, 12:20 p.m.
Tug is listening to music at his desk.
“What’s that instrument that sounds
like a washing machine?” asks Claire.
Tug says “That’s what we in the industry
call a ‘drum,’ Claire.”
A single eyelash falls from my face,
into my yogurt cup.
A redbird taps its head against the window.
Saturday, 2:22 p.m.
I’m deep in the forest right now.
I have no time to listen
to grown men argue
whether Bib Fortuna
survived Jedi or not.
I want the forest in this poem
to function like the forest
in Shakespeare comedies:
A place of working things out,
unencumbered by social constraints.
But I may have learned that wrong.
Thursday, 3:25 p.m.
No one talks about Jane’s Addiction anymore.
Their admixture of heart and decadence.
They seemed so important at the time.
I wish a machine would take me back.
Spring is here with its dampness
and smell of shit.
A guy balancing on a skateboard
with an armful of flowers.
Justin Lacour lives in New Orleans and edits Trampoline: A Journal of Poetry. He is the author of the chapbook My Heart is Shaped Like a Bed: 46 Sonnets (Fjords 2022).
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