July 2021 | poetry
for Joel
There were fields around our homes, Joel,
some fallow for a season, others full of maize.
Around them were the woods, in winter
a filigree of witch-fingers clutching at the sky,
in summer, overgrowing every boundary.
Enclosed within the symmetry of corn rows
and houses, we slept well at night, although
boys’ thoughts drift and shape-shift.
We could see there was no reconciliation
between the earth and our back and forth
attempts at order. Fences falling groundward
succumbed beneath vines. An orchard grown wild
was our prototype for Eden. Its apples were picked
by deer, or left in the grass as God intended,
rotting with their wasted cider.
In the north country now, I imagine people are burning
leaves. Fire runs through them like a loose dog.
From the hillside, you can see smoke rising, a man
standing there beside the bonfire, watching. A woman
comes out from the house. It’s almost a ritual scene.
There are no leaves burning in this yard.
I hear voices from inside the cafe, but I’m alone
beneath a locust tree, drinking coffee,
watching two men in the next yard over
gather tomatoes they grew somehow amid the ruins
of a Brooklyn townhouse. Odd angles, old brick
mold-mottled, and those green, gaunt vines
that twist and zigzag, and branch out, emerald lightning.
The property was abandoned back in March
when they cut the chainlink fence. Together,
they cleared as much of the soil as they could
of stones and glass. Boards protruding from the ground,
like the bones of a half-buried animal, they pulled loose
and set up to hold the twine they used
for a makeshift trellis. They planted their sprouts.
As the season advanced, they appeared more
at home. One of them hung art on the remnants of a wall,
portraits painted by children, his own, I guessed,
faces composed of bright colors that matched
the beans and peppers, and tall sunflowers whose
big dials of yellow petals counted down the hours.
Someone mid-summer tried to mend the fence.
A sign was posted: NO TRESPASSING!
PROPERTY FOR SALE.
It didn’t stop them. Today, they are laughing,
picking the ripened fruit and vegetables,
gathering the good in baskets, tossing the bad away.
Their joy, their exuberance in their work,
how could it be for just tomatoes?
Whenever I saw them weeding in the sun,
shirts off, sweat curdling through their skin,
they reminded me of the parable about a man
who sold everything he owned in order to buy
the field where he found a hidden pearl.
Have I misunderstood them? Maybe that heavy, red fruit
is more than enough. But we lived according to the poem:
living within, / you beget, self-out-of-self,
selfless, / the pearl of great price.1
Joel, we haven’t talked in years. I can’t guess anymore
what you are feeling, if your optimism we shared survives.
Addicted to the opium of poetry, I foster in myself
that one impurity, hoping to work it into luster,
but it’s funny to think that all it takes to undo a pearl
is one cup of vinegar.
_________________________________________
1 H.D. “The Walls Do Not Fall” 4.43-46
William Welch
William Welch lives in Utica, NY, where he works as a registered nurse on a critical care unit, and also as editor of Doubly Mad, a literary and visual arts journal published by The Other Side of Utica, Inc. His work has appeared in numerous journals, most recently in Thimble Literary Magazine, Rust+Moth, and Stone Canoe. His poem “The Border” was a finalist for the 2020 Adelaide Literary Award for Poetry.
July 2021 | fiction
Toss… turn… kick at the blanket… flop on the belly… bury the head in the pillow. Henry’s arm pokes out from under the covers. He pats the mattress, feeling for his phone somewhere along the edge of the bed. His hand finds it, drags it under the pillow. Henry opens one sluggish eye, peeks at the time. Four thirty-eight. He’s been in bed since eleven. Tossing and turning, flipping and flopping. For the dozenth time, he yells to his brain, Sleep, godammit!
Henry flops onto his back, straightens his legs, props a pillow under his knees. With one hand on his chest and the other on his stomach, he slows his breathing, counts his breaths. In through the nose… out through the mouth. Inhale… exhale… The exhales last longer than the inhales.
Soon the breathing is pushed into the background, and Henry is sketching buildings and bridges—a whole city—in his mind. The practice has often calmed him, given him peace. Now he colors in the buildings, adds some landscaping, draws the happy people he imagines would be living in his designs.
But it’s not working. And this is his third try. He must be trying too hard.
Relax…
He stops the construction in his mind and opens his eyes. Stares at the ceiling. Once again, Henry tries to slow his breathing. Please… he begs his brain. He checks the time: five twenty-one. Please, please… Instead, the more he pleads, the more his breathing quickens, shallow and short-winded, until great tremors quake in his chest.
A wounded animal howls; Henry is taken aback by the strangeness of his voice. The quaking has dislodged something, and now the solid mass fissures, releasing an anguish that has clung to the bedrock of his soul, refusing to yield. Now it tears toward the ceiling of his chest and trembles at the surface until it finally escapes the barriers of his body. For a moment it hovers over Henry’s face, soggy with tears. And then, it vanishes.
Henry’s breathing slows into deep, protracted sobs heaved from an unfathomable well through difficult passages. The strange sphere of hardened mass had held all his heaviness, and now he longs for it, so used to its chain; chained to little Henry, with his rosy cherub cheeks, five years old, playing with his sister. Playing with his father’s shiny pistol while his sister laughed and tossed her halo of curls before the deafening sound of the world ending.
The first glimmer of dawn creeps through the edges of the curtains. Henry dozes off at last, grateful to forget.
M. Ocampo McIvor
M. Ocampo McIvor was born in the Philippines, raised in Toronto, Canada, and currently lives in Seattle. After a career in technology, Ocampo McIvor has returned to her roots to follow her calling in literature. Her work has been featured in The Bangalore Review, Conclave Journal, and Storgy Magazine. She is the author of Ugly Things We Hide (uglythingswehide.com).
July 2021 | poetry
Tell me what’s so wrong with walking in
when the door is open
and nobody answers your “hullo”
and you’re tired after walking all day
in circles in some stupid wood.
The place looked like they’d run away,
food still on the table,
each bowl microwaved a different temperature,
the middle one hardly heated at all.
And it’s like two cents worth of porridge.
So I’m sorry that chair broke.
What kind of chair is so fragile
that a size zero can’t sit in it?
I said I’d buy the kid a new chair
but noooo, his chair was special
‘cause Daddy built it.
Now they’re calling me a speciesist
because of that remark about opposable thumbs.
Well, how could they have built those chairs and beds
without thumbs? And what are bears doing
with sheets and blankets when they have all that fur?
Plenty of people don’t even have a blanket.
This is a set-up; you just want to use me as an example of
whatever.
I have feelings, too! But you don’t care.
None of you care that you’ve ruined my life
and I had to wipe out all my social media accounts.
I’ll have to dye my hair—my trademark!—
and build a brand all over again.
Do you have any idea
how much work that is?
Sherry Mossafer Rind
Sherry Mossafer Rind is the author of five collections of poetry and editor of two books about Airedale terriers. She has received awards from the National Endowment for the Arts, Anhinga Press, Artist Trust, Seattle Arts Commission, and King County Arts Commission. Her most recent book is Between States of Matter from The Poetry Box Select Series, 2020.
July 2021 | fiction
FOR IMMEDIATE RELEASE
Greg Wilson, Wilson Family
(555) 555-5555
gwilson @ wilsonent.com
WILSON FAMILY’S MADDY WILSON RESIGNS;
FAMILY SEEKS NEW WIFE AND MOTHER
CHARLOTTESVILLE (May 18, 2019)— The Wilsons announced today that Madeline “Maddy” Wilson, wife and mother has left the family to pursue other interests. A search for a replacement will launch, effective immediately.
“We can’t underestimate the value Maddy brought to our family,” said Greg Wilson, husband of Maddy and father to the couple’s four children. “She is so good at doing the dishes, making sure we have groceries, making dinner every night, getting the kids to do their homework, and, really, taking care of all of us. I don’t have any idea how we will manage without her.”
Maddy Wilson began her long relationship with the Wilson family when she married Greg in 2005. In 2006, the couple had their first child, Elton. A year later, the family welcomed a second child, Hannah, then in 2008, the twins, Brent and Ellen were born. Overwhelmed by childcare needs and household tasks, Maddy at first reduced her hours as a public relations professional and added freelance writing to her workload. Eventually, Maddy came to the understanding that her family needed to come before any outside work.
During Maddy Wilson’s tenure, the Wilson family saw 14 cases of strep throat, one case of appendicitis (Brent), eight midnight runs to the store to buy posterboard for a project due the next day, 16 bake sales, six months of colic (Hannah), one shopping mall loss prevention negotiation after a shoplifting incident (Hannah, again), and an eight-month layoff (Greg) in which Maddy was the sole supporter of the family. Maddy drove the children, or ran errands on behalf of the children and her husband for a total of 20,864 miles, did 1,300 loads of laundry, and prepared, from scratch, 5,011 dinners.
“We are so grateful to Maddy for everything she did for our family,” said Greg Wilson. “The kids and I are looking forward to lots of takeout, ‘pajama days,’ and lazy weekends. At the same time, I’m continuing my workouts at the gym and am eager to attract a great candidate to this unique role.”
Greg Wilson’s profile can be found on Match.com, Bumble, OKCupid, and Tinder.
Marijean Oldham
Marijean Oldham is a public relations consultant and writer. Her essays and short fiction have appeared in The Dead Mule School of Southern Literature, the Fredericksburg Literary and Art Review, The Lindenwood Review, and Burningword Literary Journal. An essay is forthcoming in the spring, 2021 edition of the Maine Review. In 2018, Marijean authored the book 100 Things to Do in Charlottesville Before You Die, Second Edition (2018 Reedy Press). In her spare time, Marijean bakes pies competitively.
Fiction
July 2021 | nonfiction
For Martha
I stand on the shore on a Sunday in July while dark birds hover above, and I squint into the early sun that barely peeks through the mist. Martha and I drove several hours through a downpour to get to this wide lake in off-the-main-road Massachusetts.
It’s days before an operation on my weakening heart and I watch swimmers churn toward me, the Australian crawl, the lake chopping, moments near the end of a half-mile through foul brown water, the initial chunk of Martha’s first long-distance triathlon, and after this, a twenty-eight mile race-bike ride with a six-mile sprint to the finish, a three-legged action she’ll call “grueling” when she looks back years later. She’s the oldest competitor at fifty-four (instead of a race number an organizer scratched “54” in black marker on Martha’s right bicep and left calf), and yet she is 132 pounds at 5’11” after furious years in pools and on a road bicycle, and sweat-drenched runs on pitiless asphalt.
Martha’s grandfather, “Spider” Clute, is in the sports Hall of Fame at Cornell. The Yankees tried to sign him in 1913 but his fiancé said NO: It’s me or them, she said, me or those drunk godless ballplayers. Martha’s grandmother didn’t yearn for the life she’d have as the wife of a professional athlete. Even so, there’s a family black and white of Grampa Clute in a Cornell uniform stretching for a throw at first-base, the “Spider”-body a double for Martha’s, not an ounce wasted . . . pure elegance and grace.
I peer out and think I’ll never be able to find her in this broil of bodies, the dip and swirl of red-winged blackbirds. A few swimmers back I glimpse a pair of black arm-warmers like the ones she wears, elbows high, the body level, head down, no unnecessary motion, smooth, strong, steady. Is that her? Martha fears the swim the most. Though she splashed summers as a little girl, a swimsuit her all-day attire, each day, every day, in the lake at a family camp, she has never swum competitively. Never. She fears her upper body will give out. She’ll flounder. She’ll stray off course on the open water. She’ll drop behind and be the fool, she’s sure. She’s old. The youngsters will stomp her. She can’t beat them.
But those black arm-warmers . . . they must be her. And the woman I see isn’t the swimmer I remember from a year ago. That one thrashed, arms flailed, head bobbed high, body twisted side to side, too slow, too slow, nothing flowed. This swimmer glides . . . she skims the angry water, each stroke of the arms a mirror for the next. She’s efficiency and control and power. She’s feet away and rises out of the water, tanned body shimmery in the sudden sun, she’s smiling at me and I’m crying, tears streaming down my face and I couldn’t explain why . . . . She’s fifth out of the water.
Kent Jacobson
Kent Jacobson has been a teacher in prisons and a Massachusetts inner-city for nearly thirty years. His nonfiction appears (or will soon appear) in The Dewdrop, Hobart, Talking Writing, Backchannels, Under the Sun, Punctuate, Lucky Jefferson, and elsewhere. He lives in western Massachusetts with his wife, landscape architect Martha Lyon.
