Hugh Findlay







Hugh Findlay

The artist lives in Durham, NC, and would rather be caught fishing. He drives a little red MG, throws darts on Tuesdays, reads and writes a lot, dabbles in photography and makes a pretty good gumbo.

The Proxy Tunnel


There’s a chance everything has been assumed incorrectly.

There’s a chance I’ve gotten it all wrong.

Misplaced the dangling modifiers.

Left decimals out of column.

Commas forgotten, and misfired chromosomes

flipping an entire species on its genealogical frontal lobe.

Prophets tried to warn.

Seers and shaman returned

carrying markers of indemnity, lived experience

suffered and survived, until now

becomes instinct, systemic acceptance

defining the limits of beauty and love.



Compressing time compares

particle versus wave, proxy tunnels

navigating both like wormholes

linking process and form.

Conceptual technology owes its existence

to the human body, the internalized

network of firewalls, end-stops, cul-de-sacs

of private intentions needing protection

from fear of the anonymous hack.

Conjunction subordinates proper speech.

By all indications, pop stars leave the myth-

making to poets and teachers.

Take a straw poll of life’s greatest fears.

See how many answers feature

bridges and tunnels connecting us,

and all things.



I carry weight around unknown,

height a cradle-fantasy of remembered baptism.

I am never smart enough to think like a foreigner,

an outsider accustomed to facing nature

in its raw nakedness, beauty balanced and awe.

Some tastes require jugular sweetness,

warm country tabernacles surrounded by thick night.

Preachers wed desire with a mother’s faith,

common metaphor saving its best for last days

of character-selling, shelter-space limited

to flesh and imagination.



Sanctuary splits me confused, me not smart enough

to skate across thin layers of meaning.

Not understanding but knowing the difference

between here and not here

simultaneously.  Nowhere to be found

depicted in watercolors is too diluted

for aristocrats and the general

practitioners of the Sacred Arts,

the Primal Magic of self-doubt,

paranoia, and its shady base

of operations in poetry.

Patrons pay my expenses, photograph my receipts.

Desire allocates, critiques my inner algebra,

formulas setting parameter for stammer

too elastic to eliminate its brittle shell.

After questioning, beauty accepts

quiet comfort, knowing fear remains

the only modern ignorance left to eradicate.


Marc Meierkort

Marc Meierkort is a writer and educator who has taught high school English for 19 years. He is a graduate of Southern Illinois University at Carbondale (B.S.) and National-Louis University (M.A.T.), and he currently lives in Chicago’s suburbs. A Pushcart Prize nominee, he has recently had poems published by The Main Street Rag, Columbia College Literary Review, The Nassau Review, Inscape, and Spectrum.

Beach Trip

Sand is future glass, so get in the car,

fast-forward into the future, and stand

on the giant glass bridge of the beach.

We can listen to the waves while we stare

at the creatures frozen below, encapsulated—

there’s a crab mid-stride and there’s a plastic

cup.  There will always be a band-aid, and we’re lucky—

the washed-up jellyfish is under glass—just

step right on it and laugh.  Mostly there’s just rock, though,

and it’s too hard to sit on all day.  Let’s take the car

to the diner and the past.  Let’s stare out the window

and watch the fish bones and shells, glistening in the sun.



Danielle Hanson

Danielle Hanson is the author of Fraying Edge of Sky (Codhill Press Poetry Prize, 2018) and Ambushing Water (Brick Road Poetry Press, 2017). Her work has appeared in over 70 journals, won the Vi Gale Award from Hubbub, was Finalist for 2018 Georgia Author of the Year Award and was nominated for several Pushcarts and Best of the Nets. She is Poetry Editor for Doubleback Books, and is on the staff of the Atlanta Review. Her poetry has been the basis for visual art included in the exhibit EVERLASTING BLOOM at the Hambidge Center Art Gallery, and Haunting the Wrong House, a puppet show at the Center for Puppetry Arts. More about her at

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