John Sweet, Featured Author

church on fire

 

says i’m sick of

this shit

 

says tell me a story with a

happy ending for a change, and so i

paint her one of tanguy’s skies

instead

 

i paint her one of

kahlo’s visions

 

i drive over to the north side

to find her father, but

no one’s seen him in

twenty years

 

no one gives a fuck about

the sixties, no one gives a shit about

lennon’s murder, about reagan’s

death, about anything other

than money or power

 

the past is empty nostalgia, the

future a fever dream of possibility

and i sleep on the couch

all week

 

i consider apologizing for

things i haven’t done

 

in the end i keep quiet

and the infection spreads

 

the sun barely clears the hills to the

south on the coldest days of the year and

the air is thick with the smell of

gasoline, of metal grinding against

metal, and she says

             slow down

 

says that was the exit but the

trick is to get further away, out to

where the hills no longer have names,

out to where the trees rise up forever

dead from lakes of black water,

and the trick is to forget the children,

and the trick is to drive out past

even this, out past memory and

pain, but the truth is that the

trick always fails

 

the truth is that sex always

ends up feeling better

than love

 

isn’t this what you’ve been

waiting to hear me say?

 

 

upstate landscape w/ minor premonition

 

or all of those days spent

waiting for something to happen

 

all of those wasted hours caught

beneath a pale white sun, beneath a colorless sky,

and it was always early afternoon and it

was always the middle of november

 

powerlines stretched from dying

house to dying house and

empty trees never quite casting shadows

across barren lawns

 

the highway and the back roads

 

endless empty spaces packed tight w/

the ghosts of the past

 

nothing subtracted from

nothing

again and again

 

 

: :

 

the car out of gas on

fire at the edge of the highway the

swimmer alone late autumn or

early his wife missing

or sleeping

the children not yet imagined

and this car this wasteland this

all barren fields and powerlines all

empty stretches of interstate

mountains in the distance

and a man you might have

been always swimming

towards them

 

 

imaginary poem while waiting for rain

 

but this is only the day of

angels and we are only cities on fire

 

we are in the car for eight hours straight,

up and down side streets,

scoring and then using and then looking to score again and

what we smell like, i’d guess, is

slow meaningless death

 

what we believe in are better gods

or no gods at all

and the radio is tuned in to neverending static on the

morning your husband walks out the door

 

still gone four days later,

fucking someone’s sister in a leaky trailer and

together they are only a monotonous story with a

predictable ending

 

a suicide that drags on for seven years

 

and her children sit and wait outside the

bedroom door, and this boy no one knows is found

alongside the interstate, raped and beaten and dead,

eyes gouged out, coat hanger wrapped

tight around his throat

 

fourth of july in this

age of casual oblivion

 

religion forced down your throat and

deep up into your ass and whoever tells you that

voting will bring about change is a liar

 

power will always be power and poverty a crime and

we have been walking lost through this forest

for days now or for a month or maybe for

half our wasted lives

 

i have told you i love you and i have

told you i hate you and

neither one is anywhere near the truth

 

i have tasted your sweat and i have

drunk your blood and i have

offered you mine and

we are dying stars in broad daylight

 

we are dirty needles on piss-stained floors

 

the truth sounds better as a metaphor and then

better still as a lie and the windows here

are all broken, the walls filled with

dead and dying bees

 

end of july

 

walk out the door and drive through

100 miles of nothing and then

100 more and then start to see a pattern

 

believe only in what you can hold

 

fall asleep at the highway’s edge beneath

a relentless sun and

what the fuck were you thinking,

growing up, starting a family?

 

what the fuck were you

thinking, giving yourself away?

 

bought a house with no roof, no walls,

water in the basement

 

pulled the plug on your father

 

spoke quietly about your grandmother’s suicide

in a roomful of strangers and none of them

listened and why would they?

 

this is the 21st century

 

age of emotional famine

 

age of indifference

 

wake up in the middle of frozen lake in

early february with a head full of

broken glass and think about summer

 

try to remember how you

ended up here

 

open your eyes for once in your life

 

by John Sweet

 

john sweet, b. 1968.opposed to organized religion and to political parties.  ideologies in general, altho he DOES have a soft spot for the concepts of surrealism and post-punk.  30 years spent wrestling w/ the idea of writing as catharsis.  most recent collections are THE CENTURY OF DREAMING MONSTERS (2014 Lummox Press) and A NATION OF ASSHOLES W/ GUNS 2015 Scars Publications, e-chap).

Rose Mary Boehm

Enlightenment in the Parking Lot

 

You curl up in the corner of the washroom

without concern about the urine on the floor

 

and you hear hot voices and cool riffs

leave through the door of the village barn

 

where they celebrate your getting hitched

to husband number three. While you were pensive

 

and wondered, he stumbled drunk

into your best friend holding on to her tits

 

to soften his fall. You lick salt and hug yourself

not caring about the bruises, then you lift

 

yourself, slowly, because your body is heavy,

and you walk out unseen through the back entrance.

 

You kick off your heels, your head clears some

and when you get to the parking lot

 

you’re not sure where you’ll be driving,

but you know you won’t die again.

 

 

imperfect recall

 

in the car whistling

shrieking metal on metal

big woman shuffles

a soprano voice and

sharp cuts crystal

shatters on flagstone

I have insurance

abandoned fields fierce

orange mushrooms push

open the wound on a fallen trunk

old man furtively pisses

out old afflictions mosquitoes

throng and settle on

the heat coming off me

smears of blood on my cage

suppose it’s mine

then it was summer

night air police sirens

one-hundred-and-seven days

needed to return

now bare trees smeared

glass brittle with frost

tattered images

 

by Rose Mary Boehm

A German-born UK national, Rose Mary Boehm lives and works in Lima, Peru. Author of two novels and a poetry collection (TANGENTS) published in 2011 in the UK, well over 100 of her poems have appeared or are forthcoming in a good two dozen US poetry reviews as well as some print anthologies, and Diane Lockward’s The Crafty Poet. She won third price in in the 2009 Margaret Reid Poetry Contest for Traditional Verse (US), was semi-finalist in the Naugatuck poetry contest 2012/13 and has been a finalist in several GR contests, winning it in October 2014.

Remember

Remember this.
Remember tonight.
Remember the rain
hitting the window,
the train’s whistle
cutting through the wind while the night moves southwards.
Remember.

Remember this.
Memorize this.
These were the words she uttered,
warm and wet, softly and lazily,
while a brief summer storm washed away the dirt
on your bedroom’s window.

And you promised you would remember everything,
and you tried, you tried hard.
But even then you were already starting to forget.

Time goes by, and you learn.
You learn, for instance,
that the soul is a complex system
and solitude is its only constant.

Yes, these last nights have been long,
quiet,
monotonous.

Yes, you know well that she does not want to forget you;
you do not want to forget her either.
But who knows…
perhaps you are forgetting her already.
Perhaps you are forgetting her, little by little,
as you write these clumsy lines
of nostalgia and oblivion.

 

by Juan Cruz

Juan David Cruz Duarte was born in Bogotá, Colombia, in 1986. In 2010 he immigrated to the United States in order to get a PhD at the University of South Carolina. Some of his essays, poems and short stories have been published in the Colombian literary magazine Escarabeo Revista literaria. Cruz’s poetry has also appeared in Jasper Magazine. He published a collection of short stories (Dream a Little Dream of Me: Cuentos Siniestros) in 2011, and a short novel (La noche del fin del mundo) in 2012.

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