Dylan Willoughby

Marriage and Casanovas, artwork

Marriage and Casanovas

Dylan Willoughby

Dylan Willoughby’s photography has appeared in On the Seawall (10-photograph feature), Wrongdoing, Rejection Letters, and many other venues. Dylan has been a residency fellow at Yaddo and MacDowell and holds an MFA from Cornell.

Lucinda Trew

Huck at the altar of drainage culverts

twice a day

he leans into concrete tunnels that run beneath

driveways, trusting in what waits amid wet leaves, grass

clippings, the effluent of suburbia – he is a true believer, a witness

who recalls a raddled tabby within one gutter’s

curve – temptation dwelling in the swirl

and shadows

 

the cat is long gone

but still our walks include vigils at each grated altar

our own Camino de Santiago, a pilgrimage

of fidelity, a leaning in, nose-to-ground petition

to see if today will be the day

of revelation

 

at leash-end

I watch his loyal seeking, his peering into circles

of dark and empty, and long for his faith

of returning again and again

 

Lucinda Trew

Lucinda Trew is a Pushcart Prize and Best of the Net nominee and recipient of Boulevard Magazine’s 2023 Poetry Contest for Emerging Poets. Her work has been published in the North Carolina Literary Review, Susurrus Magazine, Anti-Heroin Chic, storySouth, and elsewhere. She lives and writes in the piney, red clay piedmont of North Carolina with her jazz musician husband, two dogs, two cats, and far too many books to count. Her collection, What Falls to Ground, is forthcoming from Charlotte Lit Press.

Lisa Lopez Smith

Exhalations

untethered from my daydreams

my husband says ¿Que te pasa?

¿Por que tanto suspiro?

it’s even a joke now—my fictional

characters respond to every

line of dialogue with sighs.

Like me. We’re illegible,

scrawling out the only possible

response, knee-deep in flail—

trails of guilt or worry or shame.

Today’s flavour, borrowed in bulk,

could be the baby squirrel’s failure

to thrive despite two-hour intervals

of squirrel Ensure syringed into his mouth,

or the gravity of the paralyzed kitten

white-knuckling her way

onto the couch, back legs dragging

behind like limp balloons,

a trail of urine swished across

the floor with her lifeless tail.

All of it grim. Buckling under

concrete walls of my neighbour’s

construction— the misplaced anger

or is it jealousy—

daily aimed out. I, not wanting

anymore to make this heartache

into compost, rich and mulchy;

converting inflected pain from

their daily pot shots into

medicine. Instead, I want to

molotov cocktail my clumsy pain

back at them, impaling

injustice

back at them,

firing off cannons of ill will

until we all fall.

Instead, we sip a homemade root

beer, in a contemplative quiet

punctured by deep sighs.

 

Lisa Lopez Smith

Lisa López Smith is a mother and farmer making her home in central Mexico. When not wrangling kids or rescue dogs or goats, you can probably find her working on her next novel. Her poems and essays have been published in over 55 literary journals and nominated for the Pushcart, Best of the Net, and Best New Poets. Her first chapbook was published by Grayson Books; her full-length collection is forthcoming from Nightwood Editions.