Eric Blanchard



The blank page is inspiration—


a silent beckoning

in the mind’s ears.



It is just like the ocean’s coy whisper

in a conch shell,



A toddler scampers across it,

leaving word-like footprints.


Lacking social concerns,

he builds sandcastles of


random syllables.



the wave grows toward



washes away innocence,


replaces it with complex

tortured syntax


and walks away.




Planning My Road Trip


            This will be epic!


I am planning my road trip.

(Who am I kidding? I am daydreaming.)

Really, I will have to be frugal

and pack light,


but for an extended adventure—

bring only essentials. Roll my bedroll

tightly, strap it

tightly to the luggage rack.


The saddlebags are filled

with necessities: road flares, inner tube,

a selective assortment of tools.


A duffel of clothes fit for all seasons

sits on the passenger pillion (rides bitch,

if you will),

which would otherwise be empty.


My route has been mapped out,

with various alternatives tossed about,

like a maverick or nomad.


I will visit forty-eight states

(and at least one foreign country) alone.

Of course, many things,


like consumables, I can gather

on the road;

beg, borrow, steal the rest. I will need

a pup tent and a Coleman stove


for the road-side campsites

I will sleep at to save money

on occasion, weather permitting.


It will be bare-bones and dirt-cheap.

(Yes, even in my dreams.)  Now,

if only I still had my hog. . . . It won’t

be the same in an RV.


Eric Blanchard

Growing up in Texas, Eric dreamed of dropping out of high school, but when the haze of adolescence cleared, he found himself in law school instead. After being a trial lawyer for a decade and a half, he ran away to Ohio, where he taught school and lived life for about a minute. Eventually, he returned home to help care for his parents. Eric’s poetry has been included in numerous collections, both online and in hard copy. In 2013, his prose poem “The Meeting Ran Long” was nominated for Sundress Publications’ Best of the Net anthology. His chapbook, The Good Parts, will be published in January 2020 by Finishing Line Press.

How To Recognize An American

In those days of “The Ugly American”

and Gary Powers, his U-2 Incident,

we lived and traveled in Scotland and Europe.

It was mostly the intense teenage boys

who yelled, “Yankee, go home!”

or maybe the coal man, if you could

parse out a few understandable words,

who insulted our Canadian friends

by mistaking them for one of us.

Sure, speaking would give us away,

but how did they know us on the streets?

Walking with hands in pockets, some said,

or overcoats, a wimp’s shame

according to the hardy Scot

with his damp-to-the-bone chill and Gulf Stream,

not guessing Arctic winds and ices.

Years later, the writer was unmasked

in Austria without a word,  without a pocket,

without a coat. “Because you smiled at me,”

the face of officialdom admitted.

“We don’t mind. It’s nice.”*

We carry our terrarium worlds with us,

never guessing how we seem, yet ever fretting

over imagined opinions. (My female generation

always tucking bra straps, hitching slips …

.”what’s a slip?” …while the young

shape their selfies and let it all show,

have different hang-ups.)

Is it American to always

go “spot checking” ourselves?

The Brit’s American joke back then

was the Yank, hand to mouth,

nose to armpit, checking for suspect odors….

checking….checking … is it only human?

only American?….. or only me?


*from  Lynda Lynn Haupt, MOZART’S STARLING



Carol Hamilton


Carol Hamilton has recent and upcoming publications in San Pedro River Review, Dryland, Pinyon, Commonweal, Southwestern American Literature, Pour Vida, Adirondack Review, The Maynard, Sanskrit Literary Magazine, U.S.1 Worksheet, Broad River Review, Fire Poetry Review, Homestead Review, Shot Glass Journal, Poem, Haight Ashbury Poetry Journal, Sandy River Review, Blue Unicorn, former people Journal, Main Street Rag, Pigeonholes Review, Poetica Review, Zingara Review, Broad River Review and others. She has published 17 books: children’s novels, legends and poetry, most recently, SUCH DEATHS from Virtual Arts Cooperative Press Purple Flag Series. She is a former Poet Laureate of Oklahoma.




Truck Driver

He drives a truck. Eats at laybys

swigs down the daylight. Sometimes

he tilts his head lets out a snore


to fill the cab. He pulls things he will

never buy. His phone stays on mute

so he can watch migrating birds


as he drives down bones of tarmac.

Sometimes he goes to Burger King

or Costa. Burps on leaving.


He said he hates driving told his wife

over the phone. She told him to work

until he dropped. They argued for years.


He got home early one shift and found

a car on his drive. Then he realised

his wife was his neighbour.


He handed in his notice, got a divorce

and a new job in a bakery. Moulded

dough until his fingers ached.


Today he lives next door to his neighbour

passes her croissants over the fence.

But they never speak as she preferred


him being a truck driver.


Gareth Culshaw


Gareth lives in Wales. He had his first collection published, The Miner, by FutureCycle in 2018. He is currently doing an MFA in Creative Writing at Manchester Met. He has been nominated for Best of the Net. Gcwculshaw AT moonfruit DOT com

Far away from Home

There are countries, states, laws, constitutions,

Bible, Koran, catechisms, versicles.

Multiple versions, different procedures,

corrections and penalties.

As if we, humans, because having spread ourselves

around our entire world, were diverse,

dissimilar, incompatible beings.

The truth, so little faced and assumed,

and indoctrinated with so little faith,

is that we came destined to keep alive

the flame of mutual and supportive love,

free from color, race, religion walls and borders.

We have had intelligence and culture to, unluckily,

only improve our mismatches and idiosyncrasies.

The longer we stay on this strange route,

we will be farther from the promised land,

that Canaan where milk and honey flow,

and evil has no place and hides,

defeated, confused and humiliated.



Edilson Afonso Ferreira


Mr. Ferreira, 76 years, is a Brazilian poet who writes in English rather than in Portuguese. Largely published in international journals in print and online, he began writing at age 67, after retirement as a bank employee. Nominated for The Pushcart Prize 2017, his first Poetry Collection, Lonely Sailor, One Hundred Poems, was launched in London, November 2018. He is always updating his works at

Six White Feathers

Something happened here.

Beneath this tree, a pigeon’s worth

of feathers lies scattered among stones.

In the dazzling desert light, six white


strong-shafted quills designed for flight

catch my eye. I bend to pluck them,

take them home. Blocks away, near

her old apartment, hawks nest. Sometimes


I pass for a view of those high branches

that leaf and lose their leaves,

for a glimpse of hawks,

for a longer walk and the long run


of memories we made. But why save

these six feathers? A pigeon became

a raptor’s meal—that’s the story

I imagine—and why commemorate


a death I only guess has happened?

A souvenir is nothing but a wish

to preserve the evanescent,

a pretense of permanence.


Take, for instance, a seventh feather

I spotted as we stood sealed, embracing

beside a train. All the colors of ash,

it had come to rest between the rails.


I warned her not to reach

beneath the wheels to pick it up,

though she hadn’t moved to leave

my arms. Soon, the train would roll


away, but for now there was no

danger. So I let that feather go

and wisely made the most of one last

chance to hold her close. Now


six feathers lie scattered on my desk:

not the pure white I detected from afar,

not the white silence of a blank page

in the face of a myriad unasked questions


and too much left to say, but white

smudged pale gray at their tips and edges.

Still I keep them, to spite their lack

of meaning and the way they take me


back to a mid-October day, a train

on a westbound track, a woman I call

love, who promised nothing, and a lone

pigeon feather, gone. Lost forever.


Marisa P. Clark


Marisa P. Clark is a queer writer from the South whose work has appeared in Apalachee Review, Cream City Review, Foglifter, Potomac Review, Rust + Moth, Whale Road Review, and elsewhere, with work forthcoming in Shenandoah, Nimrod, Epiphany, and Evening Street Review, among others. She was twice the winner of the Agnes Scott College Writers’ Festival Prizes (in fiction, 1996; in nonfiction, 1997), and Best American Essays 2011 recognized her creative nonfiction among its Notable Essays. She reads fiction for New England Review and makes her home in New Mexico with three parrots and two dogs.

Damnatio Memoriae

To resist through nonviolence, yes—

I’ll do what the data says is wise.1

But to love is another matter:

I may wave the flag, but I am no patriot;

Is it not better to burn what they betray?


If the house is rotten, I leave it to the carpenter

To destroy or Reconstruct. I am fine with either.

Yes, nothing grows without rot—

No rich soil, no history to study and to learn—

But the illiterate draw their own lessons, wield

Their own weapons.

I have run out of words of outrage.


One day there will be monuments

To tell of this dangerous time:

What structures will the architects design?

What wild rantings will the walls inscribe?


I am no thief. All that is mine is mine.

Shall I first confiscate this epoch,

Make it mine to censure or delete? 2 3

What of the graffiti I may not find?

The encrypted hard drive I can’t erase?

The yard signs yet to decay…?


No, it would take millions to do the job.

We, redeemers of what—an idea?

Nearly half the population?


At Appomattox no treaty was signed,

For there was no truce to be had:

Democracy always teeters between deliverance

And decay…


My greatest pleasure in overcoming this trial

Would be to never have reason to relive it.


1 Robson, David. The ‘3,5% rule’: How a small minority can change the world. May 14, 2019. BBC. <>

2 Robey, Tracy. The Long History of ‘Damnatio Memoriae’ and the Destruction of Monuments.  August 16, 2019. Jezebel. <>

3 [3] Bond, Sarah. Erasing the Face of History. May 14, 2011. The New York Times. <>


Andy Posner


Andy Posner grew up in Los Angeles and earned an MA in Environmental Studies at Brown. While there, he founded Capital Good Fund, a nonprofit that provides financial services to low-income families. When not working, he enjoys reading, writing, watching documentaries, and ranting about the state of the world. He has had his poetry published in several journals, including Burningword Literary Journal (which nominated his poem ‘The Machinery of the State’ for the Pushcart Poetry Prize), Noble/Gas Quarterly, and The Esthetic Apostle.

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