April 2019 | visual art
Surface Tension 1
Surface Tension 2
Catherine Roberts Leach
Catherine Roberts Leach was born in New York City and lived and worked in Los Angeles before moving to Santa Fe, New Mexico. Her fine art photography has appeared in solo and group exhibitions in galleries across the United States from New York, D.C. and New Jersey, to Georgia, Virginia, and Texas, to California, Oregon, and New Mexico. Her work has been juried into competitions by such art notables as Chris Burden and Ruth Weisberg. Images by Ms. Leach have also been published in numerous print and online publications, including, at the request of Yoko Ono, on the cover page of her website, imaginepeace.com. A self-taught artist, Ms. Leach focuses on seeing improbable combinations that others may miss. She captures unusual surfaces, light and shadow, wet and textured surfaces, and the juxtapositions of nature and the built environments. Her photographs are digitally captured, but the content is never manipulated. She appreciates most the times when her images look created, but are, in fact, the complete truth.
April 2019 | visual art
Blood Moon From Back of War Pony
Dave Sims
After 30+ years of teaching in colleges, universities, military bases, and prisons from Alaska to Louisiana, Dave Sims retired to the mountains of central Pennsylvania where he now dwells and creates. His most recent comix appear in The Nashville Review, Talking Writing, and Freeze Ray, and panels from his digital painting sequence “Somewhere Around the Edges,” appear on the cover and in the Winter 2019 issue of The Raw Art Review. He can be contacted on Instagram at tincansims.
January 2019 | visual art
Balloon People
by Will Huberdeau
Will’s other work appears in Look-Look Magazine, Faultline Journal of the Arts and Literature, The Santa Clara Review, The Bicycle Review, Forge Journal, and the Avatar Review. He was a top ten finalist for the 2009 Wordstock competition. He’s adjunct faculty at Norfolk State University, teaching intro composition. He also does stagehand work at the NorVa in Norfolk, VA and enjoyed summers at writers residencies in Lisbon, Iceland, Quebec, Turkey, Costa Rica, and Morocco.
January 2019 | visual art
Untitled, Black
by Stephen Curtis Wilson
Wilson is a graduate of the fine arts program at Illinois Central College, East Peoria, Illinois, and received his B. A. from the University of Illinois. He is a juried Illinois Artisan for Photography through the Illinois State Museum. During his 35 year professional career as a communication director and specialist, he was a generalist and executive ghost writer, photographer, designer, and media-relations manager. A regionalist photographer, his images have recently been juried into exhibitions in Rhinelander, Wisconsin; Portland, Oregon; Fulton, Missouri; Springfield and Freeport, Illinois, among others. His work can be viewed at stephencurtiswilson.com.
January 2019 | visual art
Blue Glass
by Steve Ausherman
Steve Ausherman is a poet, painter and photographer who lives in New Mexico. Throughout his life, his mercurial personality and restless nature have driven him towards travel and exploration of both the man-made and natural world. His paintings are filled with the rich colors of the American Southwest and his poems are reflections upon travel, family, and wilderness. His camera accompanies him on trips near and far, and allows him to make images that capture his experiences in literal, conceptual and poetic ways. Free time finds him exploring the backroads, hiking trails and mountain ranges of the American West with his wife Denise.
October 2018 | visual art
Solitary
by Jing Lin
In her mysterious monochromatic photographs, Jing Lin reconstructs a familiar world that no one has been to. Her background in motion pictures informs her current work. As a graduate photography student at Academy of Art University, she worked with multiple darkroom techniques in traditional and alternative printing processes. She blurs the edge between photography and painting through the use of experimental processes. Solitary, Jing’s most recent body of work, in which she is portraying a nonexistent place to examine the theme of self-confinement. Constantly, she explores photography with these questions in mind: What did I see? What did I not see? Chinese, b. 1993, Chengdu, China, based in San Francisco, USA. https://www.jinglinphotography.com
