When Michael Hower began digital photography over ten years ago, it was founded upon a fascination with abandoned buildings and landscapes. His work focuses on historical themes, portraying human objects/structures in modified environments now devoid of human activity, with a particular interest in places of industry, prisons, and graffiti. The work conveys themes of wear, deterioration, and nature’s reclamation of manmade environments. Recently, he has started exploring sculptural spaces using photography to challenge himself further. The first foray into this space was his Cabinet of Curiosity jars, or as he refers to them, “Specimen Jars” of “Sadie” and “Graffiti Mask.” Additionally, Mike started experimenting with altered books, allowing him to explore similar themes tactile and multi-dimensionally.
Aiden Kwon is a sophomore at Yongsan International School of Seoul. Aiden is a student who believes creativity is the key to life. He, therefore, shows interest in art, where he can create and draw his ideas. Creativity crosses Aiden’s eyes every second, with random yet brilliant ideas or a scene coming to his mind. Different colors and shapes for him are the key to the entrance of his creative ideas. His endless adventure of improvements and findings highlights his creativity every day.
Yewon Han, a Senior at Dulwich College Seoul, is fascinated by surrealism and philosophy in art. She experiments with form, texture, and color in mixed media. Inspired by filmmakers like Gerwig and Coppola, Yewon seeks to expand her artistic range and express her unique view.
Stevie has always been fascinated by nature, finding beauty in its intricacies, resilience, vulnerability, and anthropomorphic tendencies. She feels welcomed into its culture, always without question or judgment, and is where she receives some of her greatest gifts and feels most at home. Her series, Nature’s Spirit, is an homage to the natural world and her deep connection to it. Nature’s Spirit aims to transcend visual perceptions and capture the spiritual essence of each unique encounter, prompting reflections on human entanglements, relationships with darkness and light, elemental similarities, and what mysteries may lie beyond. Stevie’s photographic work has been in many publications and galleries.
Bordnick’s interest is to create meaningful works of art that all people and cultures can enjoy. As a photographer and sculptor, he has been able to share his professional experiences in ways that benefit both business and community projects. With over twenty years of experience, he has successfully designed, fabricated, and installed various projects. He is an industrial design/sculpture graduate of Pratt Institute in New York, where he has had his own professional design business and has been a design director for numerous companies and local government projects. They included a major children’s museum for the city of New York and the Board of Education.
Featuring:
Issue 113, published January 2025, features works of poetry, flash fiction, short nonfiction, and visual art by Linda K. Allison, Swetha Amit, Richard Atwood, Rose Mary Boehm, Daniel Brennan, Maia Brown-Jackson, Hyungjun Chin, Amanda Nicole Corbin, Kaviya Dhir, Jerome Gagnon, Jacqueline Goyette, Julien Griswold, Alexi Grojean, Ken Hines, Minseo Jung, Sastry Karra, Joy Kreves, E.P. Lande, Kristin Lueke, Robert Nisbet, Yeobin Park, Dian Parker, Roopa Menon, Ron Riekki, Esther Sadoff, Chris Scriven, Taegyoung Shon, Mary Thorson, John Walser, Julie Weiss, Stephen Curtis Wilson, and Jean Wolff.
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