Mary McGinnis

Things I Missed

I was never alone with an abalone;

I never swallowed a spoon whole.

My parents never made love in front of me-

I’m not sure if they ever made love at all.

I was a fruit not ripe yet,

but born anyway.

The allure of dogs was lost on me;

I never understood the beauty of lamps.

They took up so much space,

and I wanted to push them off tables.

I never had a brother who went to war.

There was a casualty from Viet Nam

whose shaving lotion nipped at my senses;

we ate white rice flavored with oregano

and listened to Janis Joplin a lot.

The night we saw a Genet play

was the only time I heard him cry.

My friend Sue was sleeping on a cot next to us at the time.

She rested lightly, curious and unruffled;

I didn’t say goodbye to him properly.

I demanded instead that he return my albums, which he did.

I don’t remember where he went after the hospital.

 

Letter To the Twenty-first Century

I’m yours, I guess.

You’re not polite.

You want me online all day,

thin and lonely.

You say, hush, pretend you’re not in chains.

You say, look up at the stars,

never look down.

The old me’s going to start running,

the old me is bending and breaking,

shaking and making a stand.

I tell my beloved

don’t be reborn yet-

you wouldn’t be happy here.

The snow starts melting

as soon as it falls.

Mary McGinnis

Mary McGinnis, blind since birth, has been writing and living in New Mexico since 1972 where life has inspired her with emptiness, desert, and mountains. Published in over 80 magazines and anthologies including Lummox IX, BombFireLit, and Fixed and Free Anthology, she has also been nominated for a Pushcart Prize, and included in the Telepoetry series recordings. She has published three full length collections: Listening for Cactus (1996), October Again (2008), See with Your Whole Body (2016), and a chapbook, “Breath of Willow.”

Bernard Knudsen

Banyan

 

Banyan (landscape)

 

Bernard Knudsen

Bernard Knudsen is a scientist and photographer in Florida, specializing in portraiture and the Florida landscape. His work been published in Odet Journal and ranked as a finalist in a Matt Granger contest for photographers.

Kathy Kremins

Evening Edges

 

Kathy Kremins

Kathy Kremins (she/her) is a retired New Jersey public school teacher and coach, adjunct professor, poet, photographer, and author. Her poetry chapbook, “Undressing the World,” was published by Finishing Line Press (2022). Kathy’s poetry appears in Gallery Affero’s ongoing Poem Booth Project: Make Me Want to Holler, Drunk Monkeys, Digging Through the Fat, Limp Wrist Magazine, Platform Review, Paterson Literary Review, Soup Can Magazine, The Night Heron Barks, Stay Salty; Life in the Garden State Anthology, Stillwater Review, Lavender Review, Divine Feminist: An Anthology of Poetry & Art By Womxn and Non-Binary Folx, and other publications. 2022 art exhibits including her photography were “Revival: Post-Pandemic Visions” and “Say Gay: Art As Queer Activism” at the 1978 Maplewood Arts Center.

Arrested Development ~ 1786 Hunterian Museum, London

the Waddington quins

died on delivery ~

their shared placenta

burned by local custom ~

their bodies sent to Dr Hunter

as medical specimens

pallid     flaccid     ghostly

water-babies hang in a tank

suspended

in solution

skin ridged like hands

left too long in bath water

liquor-steeped foetuses

with sightless eyes mere hooded slits

ribs protruding   wraith limbs dangling

a chorus

of stringless

marionettes

wailing mouths gape

in soundless distress               waiting in vain to hear

their long-dead mother’s heartbeat

Clare Marsh

Clare Marsh, a Kent based international adoption social worker, was awarded M.A. Creative Writing from the University of Kent (2018) and was a Pushcart Prize nominee (2017). She won the 2020 Olga Sinclair Short Story Prize. Her work has been published in Lighthouse, Mslexia, Ink, Sweat and Tears, Acropolis, Places of Poetry, Pure Slush, Green Ink Poetry and Rebel Talk.

Wax Job

Make yourself comfortable right here on the massage table. Just clean up the brows, right? Not too thick, not too thin. You’re tired? Go ahead and rest. So tell me about your life–where do you work? Oh that must be fun. I’m sure your students looove you. They are so lucky to haaaave you. You’re awesome. Your skin is beauuuutiful. If my customers have beautiful skin I tell them. You must drink a lot of water. You look really hydrated. I looove this music too. It’s Pandora. Hipster Cocktail Party Station. They have so many great stations. I love Pandora. It really helps because it sounds so happy and the world is going craaaaazy! The world is craaaazy right now and I’m going craaaazy. Have you seen Black Mirror on Netflix? Go home and watch it. It’s awesome. So awesome. You don’t have any chin hairs. Oh wait. There’s a couple. I’ll just pluck ’em. And one more. I can save you money by not waxing your chin. We’ll just do the lip and the brows. I’ll set you up with a frequent-wax-customer-card so you’ll get a discount after ten visits, whatdya think? Wow, are those your bike bags? They’re so big! I could probably fit in one of them. You could definitely fit in one of them. Are they waterproof? Sure, I can trim your eyebrows. It’s my favorite thing to do. I hate when they get long, like they’re reaching for the sky. Have you watched the January 6 hearings? All those rioters need jail time. Your skin is great, it doesn’t get red like most people’s when I wax them. You’re soooooo lucky. I didn’t think I’d like Liz Cheney but she’s awesome. It’s great that you’re right in the neighborhood. You can just bike over after work. We’re so close! That’s great. It’s just the three of us here. Heidi, Lisa and me. Lisa walked in right before you did. We loove it here. It’s so awesome. We’ve been here 15 years. Heidi’s the owner and she’s so great. Is purple your favorite color? Your glasses are purple, your shirt is purple. It looks awesome on you. I loooove your shirt. It’s so soft, so purple. It looks awesome with your yellow sweater. Okay, I’m just gonna let this wax dry on your lip. I’m just gonna turn on this bright light here to make sure I got all the hairs. Oops just one more chin hair. Deep breath. Ready, here we go.

Tess Kelly

Tess Kelly’s work has appeared in Sweet, Cleaver, and Dorothy Parker’s Ashes, among other journals. She lives and writes in Portland, Oregon.