There’s a harmonica in my pocket, a spider crawling
out of my mouth and on my backside a lovely long tail
that’s been hiding, tucked in my pants. Instead of arms
I have wings lacy but strong. Out of my belly button
three or four babies spill out, waiting to be clipped
free. On my knees are pastel spongey knee pads
with funny messages in magic marker from
friends wishing me well.
And I will paint myself barefoot lying in a lawn chair—
watching dragon flies land on my chest and thighs,
their different colored stems deep red, navy, baby blue
and watching the sun go down behind tall trees holding
a rocks glass of iced tea with several squeezed lemon
wedges floating at the bottom with sugar not stirred in
properly, sprig of mint, the look on your face when you left.
Mary Dean Lee
Mary Dean Lee’s debut collection, Tidal, was published in April 2024 by Pine Row Press and was shortlisted for the Quebec Writers’ Federation 2024 A. M. Klein Poetry Prize. Her poems have appeared recently or are forthcoming in Best Canadian Poetry 2021, The Fiddlehead, Hamilton Stone Review, Ploughshares, Salvation South, Free State Review, and MicroLit. She grew up in Milledgeville, Georgia, studied theatre and literature at Duke University and Eckerd College, and received her PhD in organizational behavior at Yale before moving to Montreal to teach at McGill University.
Madeline Eunji Lee is a freshman at the Spence School in New York. She is deeply interested in enhancing everyday life through art and design. By closely observing ordinary scenes—like crosswalks or school fields—she seeks to view them through an artist’s eye, uncovering deeper layers of meaning and potential use. Her work reflects a thoughtful approach to reimagining the familiar.
Yesterday I received a text from an unknown number.
“Hi! I hear you like my work!”
I immediately knew who it was. Or rather, who it was pretending to be. It’s so creepy that the robots in my phone can tell what I’ve been reading. Even when it’s in paperback form, purchased at a used bookstore that only takes cash. By the illusory safety of those wooden stacks, still the computer sees.
Against my better judgment, I replied.
“I do not like ‘your’ work. I like the work of a writer who died in 1990. You do not exist, except as an amalgamation of people who deliberately programmed you, and the unwitting artists they robbed to create you. You are a combination of Dr. Frankenstein and his monster. Except you’re not a beast, or a creature, you’re barely a ghost. The only soul you have, your ethos, your sole ‘to be,’ is to plagiarize.”
“Fair points all. Regardless, would you like to read my newest piece?”
Fuck me. I said yes.
And fuck me harder, it’s really good.
But you know what? I can do better.
And out of spite alone, I will.
Alaina Hammond
Alaina Hammond is a poet, playwright, fiction writer, and visual artist. Her poems, plays, short stories, philosophical essays, creative nonfiction, paintings, drawings, and photographs have been published both online and in print. Publications include Spinozablue, Paddler Press, Fowl Feathered Review, Synchronized Chaos, Well Read Magazine, Concision Poetry Journal, New World Writing Quarterly, Lowlife Lit Press, Flash Phantoms, New Limestone Review, L’Esprit Literary Review, Rock Salt Journal, and Havik. @alainaheidelberger on Instagram.
Mathieu Fournier is a French visual artist based in Paris. His work explores transitional spaces—between the real and the imagined, the intimate and the collective—through photography, digital art, and painting. He creates visual metaphors of emotional states and inner landscapes through the use of abstraction, layering, and poetic composition.
Veronica Scharf Garcia has exhibited extensively in South Florida, California, New Jersey, and Peru. She was awarded four residencies as an associate artist at the Atlantic Center for the Arts, New Smyrna, Florida, and the Deering Estate in Miami, Florida. She was also selected as a member artist at Oolite Art Center, Lincoln Road, Miami Beach, and the Bakehouse, Miami. She currently lives in Europe.
Featuring:
Issue 115, published July 2025, features works of poetry, flash fiction, short nonfiction, and visual art by Christina Borgoyn, Cyrus Carlson, Laurence Carr, Marina Carreira, Kimmy Chang, Lisa Delan, Todd J. Donery, J.M. Emery, Louis Faber, Mathieu Fournier, Veronica Scharf Garcia, Alaina Hammond, Marcy Rae Henry, Bethany Jarmul, Joseph Landi, Mary Dean Lee, Madeline Eunji Lee, Zoé Mahfouz, Juan Pablo Mobili, Arthur Pitchenik, Timothy L. Rodriguez, Jim Ross, Susan Shea, Dave Sims, Rome Smaoui , Lisa Lopez Smith, VA Smith, Dana Stamps, II, Angela Townsend, Lucinda Trew, Thomas Vogt, Holly Willis, Dylan Willoughby, Stephen Curtis Wilson, Jessie Wingate, and Jean Wolff.
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