January 2013 | back-issues, fiction
You gaze at the clothes flipping in the washer, because you don’t know what else to do. They’re not even yours.
You told Brad you needed something more, something he couldn’t offer, something you couldn’t explain. You rubbed your damp palms over the lime green material of your dress and told him you wouldn’t forget. You didn’t mention the inoperable tumor.
You changed jobs and moved to the other side of the city, so there would be less chance of you running into each other. You didn’t tell your new employer you’d be there for less than a year.
You changed your cell phone number and closed your Facebook page. You knew Brad would try to find you.
***
You spin the diamond to match the cycle of the clothes. You don’t think about the future.
You handed Brad a valise with his stuff from your apartment when you met at the cafe, everything except the ring, that is. You told him you lost it. He was too shocked to be angry.
He asked why. You couldn’t tell him the truth.
You walked out of the coffee shop, leaving him sitting with his mouth open. You told him not to follow you. You needed some space.
People stared. You wanted to tell them you didn’t want to be a burden, like your mother had been at the end.
by Jim Harrington
Jim Harrington began writing fiction in 2007 and has agonized over the form ever since. His recent stories have appeared in Short, Fast and Deadly, Ink Sweat and Tears, Near to the Knuckle, Flashes in the Dark, and others. “Redlining” was chosen for inclusion in the Pulp Ink, a collection of crime stories. He serves as Flash Markets Editor for Flash Fiction Chronicles (http://www.everydayfiction.com/flashfictionblog/). Jim’s Six Questions For . . . blog (http://sixquestionsfor.blogspot.com/) provides editors and publishers a place to “tell it like it is.” You can read more of his stories at http://jpharrington.blogspot.com.
January 2013 | back-issues, poetry
I hear a red, circular noise,
but I don’t know where it’s coming from.
I could look for it,
but I think I’ll just to go back to bed for a couple of weeks.
Even if the night is a magnetic field,
it’s still darkly repulsive.
When you examine the historical record,
you can learn about the lowest high temperature,
and the highest low temperature.
The speed limit however, is not posted.
It’s a little like listening to the sizzle of pink electricity;
carnal, yet pristine.
I often wish I knew how to play poker, but I was raised very religiously.
I wasn’t allowed to gamble anywhere near a television set.
It’s much easier to love an other at a distance,
although, over time, you may discover yourself
growing apart.
Love chooses its own gravity,
just like a remora chooses its own shark.
Symbiosis works best in tandem with loneliness.
On the surface of the diamond planet, ‘55 Cancri e’,
the temperature is 3900 degrees.
Wherever you may be, the flame burns bluest near the source of combustion.
On August evenings, Hollywood’s swimming pools glisten
like intentionally set wildfires.
They shimmer, wet rectangles of aquamarine, television light.
Of course, you can’t change the channel.
Fortunately, learning to write a complete poem is a lot easier than it looks,
if you give it half a chance.
Like a reincarnation story you’ve read twice,
it’s over more than once, before you’ve begun.
by Brad Rose
Brad Rose was born and raised in southern California, and lives in Boston. His poetry and fiction have appeared in , Boston Literary Magazine, San Pedro River Review, Off the Coast, Third Wednesday, The Potomac, Santa Fe Literary Review, Barely South Review, Imagination and Place, Monkeybicycle, Right Hand Pointing, Little (flash) Fiction, SleetMagagazine.com, and other publications.
January 2013 | back-issues, fiction
She scrapes the charred crumbs from her morning toast, then she does laundry.
She does ironing, then she strums a chord on her guitar, commiserating with herself, as the taut metal strings slice pain into her tender fingertips.
She does more laundry, then she spatter-paints with Pollockesque abandon.
Which inevitably generates more dirty clothes.
She has a shower, luxuriating in the incalescence of the near-scalding water, as it flows along the crevices of her fatigue.
She dries her tangled hair, then dries the laundered clothes, then nourishes the machine with another load.
She eats ambiguous leftovers with a plastic fork, then watches the kaleidoscope of colors intertwine, as purple shirt mixes with scarlet robe mixes with periwinkle underwear mixes with turquoise socks.
She wiggles open the encrusted lint filter and wonders why the vibrant hues always converge into a sluggish gray.
She does more laundry, writes a restrained haiku, then erases it.
She sips decaffeinated coffee, while she edits her fragmented novel, seeking flawless metaphors for unrequited love and grim despair and soul-sucking regret.
She classifies the laundered clothes and places them benignly onto hangers, slides them with innate compassion into drawers.
At ten o’ clock she slams the lid onto the overflowing wicker basket, as she crawls, debilitated, into bed.
by Gillian McQuade
January 2013 | back-issues, poetry
Can’t Understand
when in the drowsy hours
you speak to me in tongues
I can’t understand,
is when I realize we must
be doing this for a reason,
to get to some end, or
to prove something lost,
and you wait patiently for me to answer
in huffy silence until you recall that I can’t
speak a bit of mandarin
and you laugh, a sweet,
funny kinda laugh before
you fall asleep and forget.
Fly
All this world out there
and you can’t reach
any of it, and neither
can I right now, Only
I know about it
you can’t even realize it,
even in the end,
this glass is ugly
people cough, piss & die
it’s reflected on me,
windows divide the cosmos,
the very black hole of reality,
you stick to it,
falling sideways,
crawling about my books.
by Thomas Pescatore
Tom Pescatore grew up outside Philadelphia, he is an active member of the growing underground poetry scene within the city and hopes to spread the word on Philadelphia’s new poets. He maintains a poetry blog: amagicalmistake.blogspot.com. His work has been published in literary magazines both nationally and internationally but he’d rather have them carved on the Walt Whitman bridge or on the sidewalks of Philadelphia’s old Skid Row.
January 2013 | back-issues, poetry
You swing the scythe in washed out flaxen fields
You may hear the blade against the dried out stalk
It is a sweet sound if the cutting edge is thin
You will listen for that faultless cut, it is a veiled thing
It will hide in the murmur of starlings and six-row barley
You will swing and scare the murderous crows
In repetitions you swing with the turning of your hips
They are never the same, form of swing or ting of blade
The light will fail and you will walk home under cast out corncrakes
By turf lit doorway you will sit and spit then drag the whetstone
You will smother the wicks and set loose the hungry tomcat,
Evicted field-mice are suing for recompense.
by Alan Donnelly
