The Darkness White

The Darkness White

 

Alexi’s father was the family’s artistic soul, and his legacy influences Alexi’s appreciation for abstract art. Throughout his life, art and drawing provided Alexi with solace and joy, yet he never felt the need to share his work. After his father’s passing in September 2022, Alexi embraced his artistic expression. In the following weeks, his work became more vibrant and personal as he started printing and framing abstract digital paintings, driven by a strong desire to share them. Now, Alexi is passionate about his craft, having cultivated a unique style that stands out. He believes in the lasting strength of his artistry.

Kristin Lueke

i ask the sun too much

 

each plant i’ve kept alive so far i call my friend.

each of my friends has its own quiet prayer,

it’s called how i’d like to be cared for—

 

for instance, from a distance, please & gently,

within reach, without expectation but this—

i will try to stay alive if you try to understand me.

 

one is never not hungry for all my attention—

the gift of you bending you backwards

to please me. still another’s impossible,

erratic at best & unwilling to clarify—

you’ll just have to learn to learn what i want.

 

what i want? is a room where the light finds me

easy & all that we need, we have.

 

 

i tell my kin the world is burning

 

fetch a cool glass of water. this side of western ruin

we know as much about fire as we do about forever.

we have four words for the fear of everything,

start praying. begin with god / end with specifics.

ask—for your ancestor, the skill to keep all winter

a single flame alive. ask for revelation, for wanting

no weapon. to be closer, now, to you.

 

Kristin Lueke

Kristin Lueke is a Chicana poet and author of the chapbook (in)different math (Dancing Girl Press). Her work has appeared in Sixth Finch, Wildness, Frozen Sea, Maudlin House, HAD, and elsewhere. A Pushcart and Best of the Net nominee, she was a finalist for the 2024 Porter House Review Poetry Prize and received the Morris W. Kroll Poetry Prize from Princeton University, where she earned an AB in English. She also holds an MA from the University of Chicago. Kristin lives in northern New Mexico and writes at www.theanimaleats.com.

Julien Griswold

I invent a time machine to go back and witness the moment before my birth certificate signing, my parents’ silent prayer before clicking the pen

To Julie, once, Julie, now, Julien, forever, my heart.

What if your name was Antoine or Rebecca or Augustine or Vicky or Beatrice or Walter? Or Ishmael or Clark or Bianca or Dixie or Shauna or Joey or Thaddeus or Milton? Or world-eater, snail-chaser, big walrus, weak handshake, smoke break, sweet manger, good morrow, high heaven, smug winker, long freight car, old matchbox, big sister, door greeter, worm hooker, over-easy, glossy nightville, snooze daily, toast burning, smell-licker, wet shellac, deer herder, my snowman, hot reminder, the shake-up, boy howdy, listen closest, beggar breadbasket, pigeon spikes, gloveless finger, ugly watch guard, open present, pushing wedlock, a gardenia, child’s shadow, castle drawstring, axe in-motion, mother’s comfort, one toe showing, fish-in-ziplock, dear old fellow, the grand lady, hemline feather, long-lost tabby, “Dad, I love you,” the day after mourning, the night before morning, small star one, dancing creased shoes, how to hold you, someone’s baby, street dog drinking.

Julien Griswold

Julien Griswold (they/them) thinks insurance agencies should cover notebook costs as therapy expenses. When they aren’t laying their thoughts bare in said notebooks, they study at Brown University. Their work has appeared or is forthcoming in Palette Poetry, Pinhole Poetry, The /temz/ Review, Poetry Online, and elsewhere. Connect with them online @cheerupjulien.

The Light Was Never Ours

On the bank of the Seine

in the heath and heart

of the sun’s playground—

that’s where we lay.

 

Our heads rest on a cushion of plight

as we sink further into the fields

of lush river violets, violets

smooching our petaled cheeks—

blanketing our freckles from the frigid

blistering air, softening

our cracked lips. We smear

violet husks across our faces

until they crumple, shriveling

from an absence of light

in these mallows of mid September

gloom, their ominous purple filling

the smiles across our faces before

their sweet sugar plum scent could

even frolick into our pores. We are

lifeless—but we weren’t always. For years

 

we smelled of the sun’s honeyed lemons

and orange meringue pie, raindrops

and gifts of gold. Our eyes shimmered

in the leathery moon’s shadows—

a crisp December glistening on the horizon.

At the peak of our ecstacy, we giggled

until cancer’s rind of tree bark

wrapped its treacherous ridges around

our lungs, punted splinters down our throats

to quench our laughter. Somehow

 

the wavering constellations illuminate

the ball point grasses’ narrow, finite hallways

before they retract into the night sky’s

lustrous black hole, the one trapping

each dusty auburn wish in an endless tunnel—

 

for more years of violet picking.

for more lemon scented sundays spent

basking in the sun’s generous warmth.

for more time—because the light was never ours.

 

Kaviya Dhir

Kaviya Dhir is a student poet based in Texas. As a junior in high school, she has been recognized by Georgetown University and the National Scholastic Art & Writing Awards for her work. She was recently named a finalist for the 2024-2025 Houston Youth Poet Laureate designation.

On Death

  1. I was born almost dead, the cord wrapped around my throat.
  2. A doctor(ate) actually said the words to me: “You carry Death close.”
  3. Death has stood by my side, time and again, and said, “It’s not her time yet.” I’ve accepted it.
  4. Damaged lungs from 9/11.
  5. Volunteering in Iraqi Kurdistan, mere hours from Mosul. The multitude of checkpoints along the Syrian border with masked men with guns far too large, held far too lazily in one-handed grips, leaning against their shoulders, as they confiscated my passport and tried to pull me to the small, windowless building that was somehow present at every one.
  6. A village decimated by ISIS, and in a small city where I was the lone American naively going on early morning runs and exploring the destroyed buildings, painting over the swastikas I found with paint “borrowed” from nearby construction sites, and still Death said: “Not yet.”
  7. The village elders of Duhola asked me to help spread the word of their people, of the Yazidi forgotten entirely by the international community. I promised I would. I still try. But I am just one, small person.
  8. So, Death, what is it exactly about me that you think I have yet to do? Is there a chance, however small, that you think I might make some sort of difference in this world? What is it that’s going to happen before you gently greet me, take my hand, and tell me I can rest?

Maia Brown-Jackson

After the incredibly practical literature degree from the University of Chicago, pushcart-nominated Maia Brown-Jackson braved the myriad esoteric jobs that follow, until straying to Iraq to volunteer with survivors of ISIS genocide. Inspired with new focus, she caffeinated herself through a graduate degree in terrorism and human rights and now investigates fraud, waste, and abuse of humanitarian aid in Taliban-controlled Afghanistan. Also, she writes.