Lucinda Trew

Huck at the altar of drainage culverts

twice a day

he leans into concrete tunnels that run beneath

driveways, trusting in what waits amid wet leaves, grass

clippings, the effluent of suburbia – he is a true believer, a witness

who recalls a raddled tabby within one gutter’s

curve – temptation dwelling in the swirl

and shadows

 

the cat is long gone

but still our walks include vigils at each grated altar

our own Camino de Santiago, a pilgrimage

of fidelity, a leaning in, nose-to-ground petition

to see if today will be the day

of revelation

 

at leash-end

I watch his loyal seeking, his peering into circles

of dark and empty, and long for his faith

of returning again and again

 

Lucinda Trew

Lucinda Trew is a Pushcart Prize and Best of the Net nominee and recipient of Boulevard Magazine’s 2023 Poetry Contest for Emerging Poets. Her work has been published in the North Carolina Literary Review, Susurrus Magazine, Anti-Heroin Chic, storySouth, and elsewhere. She lives and writes in the piney, red clay piedmont of North Carolina with her jazz musician husband, two dogs, two cats, and far too many books to count. Her collection, What Falls to Ground, is forthcoming from Charlotte Lit Press.

Burningword Literary Journal, Issue 115

Issue 115, published July 2025, features works of poetry, flash fiction, short nonfiction, and visual art by Christina Borgoyn, Cyrus Carlson, Laurence Carr, Marina Carreira, Kimmy Chang, Lisa Delan, Todd J. Donery, J.M. Emery, Louis Faber, Mathieu Fournier, Veronica Scharf Garcia, Alaina Hammond, Marcy Rae Henry, Bethany Jarmul, Joseph Landi, Mary Dean Lee, Madeline Eunji Lee, Zoé Mahfouz, Juan Pablo Mobili, Arthur Pitchenik, Timothy L. Rodriguez, Jim Ross, Susan Shea, Dave Sims, Rome Smaoui , Lisa Lopez Smith, VA Smith, Dana Stamps, II, Angela Townsend, Lucinda Trew, Thomas Vogt, Holly Willis, Dylan Willoughby, Stephen Curtis Wilson, Jessie Wingate, and Jean Wolff.

untethered

my mother dreams of taking off

in a hot air balloon, not exactly flying

but rising, a slow-motion escape

fueled by the hiss of flame

parachute silk and her breath-

held longing to be lifted

from ground

 

she collects postcards and prints

of antique airships and dirigibles

turn-of-the-century flying machines

captained by men in waistcoats

and bowler hats – she has a flight

plan of her own, a Magritte fantasy

to disappear

 

from suburbia to surreal

in a swirl of sun and fringed scarf

glinting spyglass held to her eye

she will launch in a basket

packed up like a picnic

rainbow canopy overhead

she will ascend            with a whoosh

 

and a wave      from bumpy field

tedium to aerial parade – high-stepping

above trees and cow leas into clouds

as the earth below grows as small

as she knows it to be

grasslands and cul-de-sac

homes, cars ferrying families

to church, bridge games

and laundry days, blackberry

bushes to pluck, gardens to weed –

 

and we three

watching her float in the gondola

of a full-moon balloon, circled by birds

bon voyage cries and those on the ground

clapping leaping reaching –

‘til all that remains is shadow

big and round as a basilica crown

 

Lucinda Trew

Lucinda Trew lives and writes in North Carolina with her jazz musician husband, two dogs, one cat, and far too many (or never enough?) books to count. Her work has been featured in Bloodroot Literary Magazine, Cathexis Northwest, Mockingheart Review, storySouth, Eastern Iowa Review, and other journals and anthologies. She is a two-time Pushcart Prize nominee, Best of the Net nominee, and Boulevard’s 2023 Emerging Poet Award recipient.